The PowerShot A700 is the first of any A-series camera to
benefit from a longer zoom. The A700 is equipped with a 6X
optical zoom that covers a focal length range of 5.8 to 34.8
mm, the equivalent
of a 35 to 210 mm.
The maximum aperture
of the lens is of f2.8
at the widest angle, diminishing progressively as the zoom
is used so that at the maximum telephoto the aperture becomes
f4.8, while the smallest aperture is a constant f8.
At the lower right of the lens
barrel when facing the camera, a button can be pushed to remove
the lens trim, revealing a bayonet mount which serves to attach
the optional Conversion Lens Adapter (LA-DC58G)
and in turn:
58 mm diameter lens filters.
Wide Converter (WC-DC58N) which applies a 0.7X
to all focal lengths, producing a wide angle of 24.5 mm.
Tele-converter (TC-DC58N) which multiplies the
focal length by 1.75, yielding a maximum telephoto of equivalent
to a 367.5 mm.
Or a Close-up Lens 250D, which makes it possible
to focus on a subject 18 to 25 cm distant from the lens
when the zoom is at the maximum telephoto setting.
The PowerShot A700 captures image
using a 1/2.5 inch CCD with 6.2 million pixels of which 6
million are effective to yield a maximum image size of 2816
x 2112 pixels. CCD sensitivity ranges from 80 to 800 ISO,
and it can either be set manually when the camera is set to
P, Tv, Av, or M modes, or set to Auto. In all other modes
sensitivity is automatically controlled by the A700. In addition,
an Auto High mode is available, allowing automatic sensitivity
increases beyond 800 ISO.
Shutter speeds, on the other hand, cover from 1/2000 second
to 15 seconds, the precise range available to the camera varying
according to the aperture and the focal length in use, and
the shooting mode. Furthermore, flash synchronization takes
place between 1/60 and 1/500 and noise reduction is automatically
applied to any image captured with a shutter speed longer
than 1.3 second.
As explained in the Ergonomics section, the
image size and compression for the PowerShot A700 is set using
the Function Menu, called up by pressing the FUNC.
SET button at the centre of the 4-direction control:
Large = 2816 x 2112 pixels
Medium 1 = 2272 x 1704 pixels
Medium 2 = 1600 x 1200 pixels
Small = 640 x 480 pixels
Wide = 2816 x 1584 pixels, a 16:9 aspect ratio
that corresponds to HDTV.
As with some other recent Canon cameras, the A700 offers
an image format called Post Card. The format captures
a 1600 x 1200 pixels (3:2 format) image that is proportional
to a 4 X 6 inch (10 x 15 cm) print and which does not need
to be cropped. The compression applied to the image is preset,
and cannot be modified, but it is the only mode that allows
the shooting time and date to be permanently superimposed
on the digital image itself. (See further.)
Three levels of JPEG compression are available at all image
sizes with the A700:
Super fine: the highest image quality, applies
a compression with a ratio of approximately 6:1.
Fine: an average image quality that has a compression
ratio of approximately 12:1.
Normal: the lowest image quality, using a
compression ratio of 20:1 which makes it possible to store
more images into a given memory space, at the expense of
some of the image quality.
In addition to the parameters that can be set in the Function
menu, other settings are located in the REC. menu,
which is called up when the MENU is pressed. The menu
is composed of three sections, each identified by an icon
at the top of the screen. The first tab on the left is the
REC. menu:
AF Frame serves to select the way the auto focus
functions:
AiAF: allows the camera to choose the focus
using any of 9 AF frames that are clustered near the
centre of the screen.
Centre: focuses only using the centre AF frame.
FlexiZone: makes it possible to manually move
the AF point anywhere in the frame using the 4-direction
control (the monitor must be turned on).
Red-Eye (On or Off). When turned on red-eye reduction
is achieved using the orange AF assistance light on the
left of the optical viewfinder's front window, which also
doubles as the Self-timer indicator.
Spot AE Point has two possible settings: Centre
which locks the spot metering at the centre of the frame,
or AF Point which locks the spot metering to the AF point,
wherever it is in the frame.
MF-Point Zoom: On or Off, decides whether or not
the centre portion of the image is magnified to assist focusing
when the Manual Focus mode is used.
AF-Assist Beam: On or Off, makes it possible to
turn off the AF-Assist lamp if it is bothering.
Digital Zoom: On or Off, controls the 4X digital
zoom that crops the centre portion of the image and interpolates
the cropped image to the currently selected image size,
resulting in some image degradation. (The digital zoom
is not available when the A700 image is set to the Post
Card format.)
Review: decides whether or not the image is shown
on the monitor immediately post capture (Off, 2 through
10 seconds, or Hold which leaves the image on the screen
until a control is pressed).
Save Original: On or Off, when On the original
image is retained when Colour Accent or Colour Swap is used,
in addition to the altered image.
Grid Lines: On or Off, displays grid lines on the
monitor to help when composing an image.
Date Stamp: is only available when the image is
set to the Post Card format, and decides whether
or not the time and date at which an image is captured are
permanently superimposed on the image.
The second section of the menu, identified by an icon that
looks like a wrench and a hammer, contains the Setup
menu. The contents of the Setup menu are detailed in the Interface
and Software section of the review, and is a section
that is common to all modes.
The third section of the Rec. menu is also common to all
modes, but appears as the fourth section of the Playback menu
(see below). Called My Camera, it contains options
that allow personalizing the A700.
The options in this section
make it possible to change the sounds produced by the camera
for operations, self timer, and when the shutter release is
pressed, as well as the image it can display when starting
up.
By default, Canon places 3 themes in the A700's memory which
contains an image each associated with a group of sounds.
However, over 40 more themes are available with the software
that comes with the camera, and any of these can be used to
replace the sounds already in the camera while it is connected
to the computer.
Set to the Playback mode,
the menu is organized much like the Rec. menu, with the playback
options presented in the first section. The second section
however is the Print menu, pushing back the Setup
and the My Camera options to third and fourth place
respectively.
The first section offers the following choices:
Auto Play: plays back all the images on the card
with a 3 second interval.
Sound Memo: makes it possible to attach a sound
recording, up to 60 seconds long, to an already captured
image.
Protect: makes an image's file "read-only",
preventing it from being accidentally deleted.
Rotate: serves to rotate an image by 90° or
270°.
Erase All: erases all images on the memory card,
with the exception of those that have been protected.
Transfer Order: serves to choose the images that
will be transferred automatically via USB to a computer
running the software supplied with the camera.
The next section, Print, serves to select images for
printing automatically when the A700 is connected directly
to a PictBridge, Canon Direct Print, Bubble Jet Direct, or
DPOF compliant printer:
Print: starts the printing process when the camera
is connected to a compatible printer.
Select Images and Quantity: to select the images
to be printed, and the number of copies to make of each
image.
Select All Images: selects all the images currently
on the memory card for printing.
Clear All Selections: clears all selections and
print orders.
Print Settings: serves to choose the type of print
to make (index or image by image), whether or not the print
should have the date imprinted on it, the file name, and
whether or not all the Print Data should be automatically
deleted once the images are printed.
The PowerShot A700 is compatible
with SD (Secure Digital) and MMC (MultiMedia)
memory cards, and the North American market version of the
camera reviewed here is supplied with a 16 MB SD card. The
card slot is located underneath the camera, behind the same
solid door that covers the battery compartment. The memory
card is ejected by pressing it on its edge.
The chart below provides an idea of the number of images,
and the length of videos that can be captured with both the
supplied card, and an optional 1 GB SD card:
Memory
16 MB SD Card
1 GB SD Card
Size/Quality
SuperFine
Fine
Standard
SuperFine
Fine
Standard
2816 x 2112
5
8
19
364
605
1248
2272 x 1704
7
13
26
491
878
1733
1600 x 1200
14
26
50
975
1733
3285
640 x 480
56
88
138
3672
5675
8919
2816 x 1584
7
12
25
487
810
1642
Memory
16 MB SD
Card
1 GB SD
Card
Size/Frame Rate
60 fps
30 fps
15 fps
60 fps
30 fps
15 fps
640 x 480
—
7 sec.
15 sec.
—
8 min. 18 sec.
16 min. 28 sec.
320 x 240
11 sec.
22 sec.
43 sec.
12 min.
23 min. 24 sec.
45 min. 46 sec.
160 x 120
—
—
1 min. 47 sec.
—
—
1 hr. 51 min. 44 sec.
The PowerShot A700 is supplied with 2 alkaline AA-size batteries,
which are housed in the grip section of the camera. Rechargeable
Ni-MH batteries can also be used, giving the camera greater
autonomy.
First at the top is the A/V out (Audio/Video), which
serves to connect the camera directly to a television. The
output signal can be set to either NTSC or PAL in the Setup
menu (see the Interface and Software section of
the review for more details about the options contained in
the Setup menu). Next is the USB connection (compatible
2.0 Hi-Speed). And at the bottom is a DC-IN jack that
allows the PowerShot A700 to be powered from household current
when the optional AC-DC converter (ACK600) is used.
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