At the same time as it was
shipping the PowerShot SD500, Canon announced the PowerShot
SD550, a camera that basically shares the same technical specifications
but which is equipped with a 2.5-inch LCD monitor.
Seen from the front, the SD550
is nearly identical to the SD500; not so from the back. The
larger monitor of the SD550 has required that changes be made
to the controls so they fit into the smaller space. But aside
from this, the SD550 retains the finishing and size of the
SD500. The camera is metal-clad with a satin finish and chrome
touches.
shutter release and
around it the zoom control, while on the left is the
power switch with a small green LED at its centre.
And, with the camera set to the Playback mode, the zoom control
serves to review images as an index (9 images per screen)
when the control is pushed to /
or zoom into an image under review up to 10X when it is pulled
towards /.
Remarkably, while most of the camera's
back is occupied by the 2.5-inch, 115,000 pixel
LCD monitor, Canon still includes an optical viewfinder.
The viewfinder is simple with
a cross at the centre of its field, but no marks for parallax
correction — indicators that show the approximate image
area as captured by the lens in relation to what can be seen
through the viewfinder.
To its left, two LEDs serve to indicate specific camera activities:
The top one lights up in green when the camera
is ready to take a photo and blinks while an image is being
saved. It can also light up in orange when the
flash is charged, or blink orange if the shutter speed is
low enough that there is a risk of camera shake.
The bottom one lights up in yellow when the camera
has focused, and blinks when it cannot.
The remaining controls are
all on the right side of the back, starting with the Mode
Dial which has five positions:
The top position is the
Playback mode.
Next is the Auto Mode,
which lets the camera decide all settings, leaving only
the settings for image quality, flash mode, macro mode
and self-timer up to the user.
The Manual Mode,
the middle position on the dial, also leaves the camera
in charge of selecting the aperture and the shutter
speed, but provides controls over most other capture
parameters such as exposure compensation, white balance,
sensitivity, etc. Moreover, it is possible to select
a slow shutter speed between 1 and 15 seconds
for night photography.
This mode also offers 3 sub-programs that are selected
in the Function menu (see the Characteristics
section of the review for more detail about the Function
menu):
Digital Macro:
combines the use of the Macro mode and the digital
zoom. With this mode the camera is able to focus
from 5 to 50 cm (2 to 18 inches) and then, using
the digital zoom, crop the image so the subject
appears even larger in comparison to the frame.
My Colours
mode makes it possible to alter the colours recorded
by the camera using any one of a group of options:
Positive Film intensifies the reds,
greens and blues.
Lighter Skin Tone makes skin tones
lighter.
Darker Skin Tone makes skin tones darker.
Vivid Blue emphasizes blues.
Vivid Green emphasizes greens.
Vivid Red emphasizes reds.
Colour Accent makes it possible to
select one colour from all those showing on
the monitor, and then capture the scene with
all other colours except that one converted
to black and white.
Colour Swap makes it possible to select
a colour, chosen from those showing on the monitor,
and swap it for another also chosen from those
showing on the monitor.
Custom Colour makes it possible to
adjust the colour balance freely between red,
green, blue and skin tones to obtain subtle
effects.
Exposure compensation is not possible with this
mode.
Stitch Assist:
serves to capture a series of images that will be
assembled into a panoramic image later, using software
included with the camera. The series of photos can
be captured from left to right or right to left,
and the camera maintains the starting exposure throughout
the entire series.
Serves as the access point
to the SD550's 9 Scene modes which can be selected
using the Function menu:
Portrait mode
uses a wide aperture to shorten the depth of field
and blur the background, emphasizing the subject,
an effect that is more pronounced if the zoom is
set to the telephoto end.
Night Snapshot
increases sensitivity to minimize camera shake so
that a subject against a twilight or night background
can be captured without using a tripod.
Kids and Pets
optimizes the shutter speed and sensitivity to allow
capturing subjects that move around.
Indoor prevents
camera shake by increasing the sensitivity as
required and adapting the colour balance so as
to capture natural colours under either incandescent
or fluorescent lighting. The exposure is regulated
to avoid the use of the flash as much as possible.
Foliage accentuates
green tones so as to make plants look natural.
Snow increases
the exposure to counteract the influence of highly
reflective snow on the camera's meter and ensure
that snow appears white instead of bluish.
Beach also applies
exposure compensation so that subjects photographed
in the highly reflective environment of a beach
and water are exposed correctly.
Fireworks captures
a 2-second exposure with the focus set to infinity
and the flash forced off.
Underwater applies
a colour correction so that the image shows natural
colours when images are captured using the optional
waterproof case (WP-DC90).
As with the previous positions
on the Mode Dial, the Movie mode offers a choice
of types of movies:
Standard allows
choosing the resolution (640 x 480 or 320 x 240
pixels) as well as the frame rate (30 fps or 15
fps). The maximum movie size is 1GB and the 4X digital
zoom can be used while recording.
Fast Frame Rate
uses a 60 frame per second (60 fps) recording
rate so that fast moving subjects can be recorded
and played back at a slower frame rate. Only 1
frame size is available, 320 x 240 pixels, and
the recording is limited to a maximum of 1 minute.
Compact serves
to capture a low resolution (160 x 120 pixels) movie
at 15 fps for up to 3 minutes, making the movie
suitable as an attachment to an e-mail.
My Colours offers
the same flexibility as the Standard mode, but adds
the possibility of changing the image colours prior
to shooting the movie.
Mono sound is automatically captured during recording
(with the exception of the Fast Frame Rate mode which
silent), the optical zoom's position is locked at the
starting position and the exposure and white balance
are adjusted as the recording progresses.
The next button, below the Mode Dial, only operates when
the camera is connected via USB to a computer or a printer,
at which time a blue LED lights up at its centre:
It serves to automatically
transfer pre-selected images to a computer.
Or to print pre-selected photos to a PictBridge,
Bubble Jet Direct printer, or SELPHY CP series
Card Photo Printer.
Next is the 4-direction control which has the FUNC. SET
button in the middle. With a menu on-screen, or when the camera
is set to the Playback mode, the controls serve to navigate
and make selections. When the SD550 is set to ,
or
the FUNC. SET button displays the Function
menu (see the Characteristics section of the review).
In addition, the 4-directions of the control serve to select:
ISO
When the SD550 is set to
the Manual Mode the up direction serves
to select CCD sensitivity: Auto, 50, 100, 200 or 400
ISO.
Set to the Movie mode, it serves to adjust exposure
compensation using a scale displayed on the lower
left of the monitor.
Moreover, but only in the Manual mode, the up
direction of the control can be used to lock the Auto
Exposure (AE-L) or, if the flash is active, to
lock the Flash Exposure (FE-L).
With the SD550 set to the
Playback mode, the up direction of the control serves
to jump groups of images:
Jump 10 images: jumps 10 frames at a time.
Jump 100 images: jumps 100 frames at a time.
Jump Shot Date: jump to the first image of each
shooting date.
Jump to Movie: jumps from movie to movie.
Jump to Folder: displays the first image of each
folder.
The right direction
of the control decides the Flash Mode selection:
Auto, Auto with Red-eye Reduction, Forced On with Red-eye
Reduction, Forced On, Forced Off and Slow Synch
The down direction
selects the Continuous Mode (2 frames per second
at full resolution and least compression, capturing
up to 15 frames before slowing down); or activate the
Self-Timer which can be set to be 2 or 10 seconds
or Custom. (The type of Self-Timer is determined
in the Capture menu, see the Characteristics
section of the review.)
And in the Playback mode,
the down direction can be used to delete unwanted images.
Last, the left direction
starts the Macro or Landscape modes. The
macro mode allows the camera to focus on a subject 5
to 50 cm (2 to 18 in.) from the front of the lens when
the zoom is at the wide angle end, and from 30 to 50
cm (12 to 18 in.) when the zoom is at the maximum telephoto.
And the Landscape mode, locks focus at infinity.
And, when the camera is set to the Manual shooting
mode, the left direction can be used to lock the Auto
focus (AF-L).
The last two external controls
of the SD550 are aligned below the 4-direction control:
displays the menu that corresponds
to the mode in use, as determined by the setting of the
Mode Dial(the menus of the SD550 are detailed
in the Characteristics and Interface and Software
sections of the review).
And on the left the DISP. button controls the way
information is presented on the monitor:
Serves as an ON/OFF switch
for the monitor and, when the monitor is active, only
the AF frame is superimposed on the image. Pressing
the button once adds a number of camera settings: capture
mode, metering mode, continuous or single mode, flash
mode, orientation sensor status, ISO setting, image
quality and size, and the remaining number of frames
that can be captured with the current settings.
With the SD550 set to the
Playback mode an image under review is first
presented with its file name superimposed at the top
of the screen, and its position within the other images
in the folder, its resolution, quality, and capture
date superimposed at the bottom of the screen. Pressing
the button once adds a histogram, the capture mode used,
ISO sensitivity setting, compensation settings for both
exposure and flash exposure, metering mode used, white
balance, and the file size of the image. And a second
press of the button clears all superimposed information.
While at a glance the Canon
PowerShot SD550 appears very similar to the SD500, there are
in fact a number of modifications made with the SD550. The
changes run from differences in the way the controls operate,
to differences within the menus, either removing unnecessary
functions or adding new ones, all of which highlights the
attention Canon pays to the SD series.
Still, the SD550 retains the overall easy ergonomic design
of its predecessors, a remarkable feat in view of the restricted
space left over by 2.5 inch monitor.