The PowerShot SD700 IS/IXUS 800
uses a 6.2 million pixel CCD that measures 1/1.5 inch diagonally,
of which 6.0 million pixels are effective to capture the camera’s
maximum image size of 2816 x 2112 pixels.
CCD sensitivity starts at 80 ISO and can be increased —
only when the camera is set to the Manual mode — to
100, 200, 400 or 800 ISO. In addition, sensitivity can be
set to either Auto ISO, which lets the camera adjust the CCD
sensitivity as necessary, or to High ISO, which allows the
camera to adjust sensitivity up to 800 ISO. While with any
of the Scene modes, sensitivity is completely under the control
of the camera.
The SD700 IS is equipped with
a 4X optical zoom with a focal range of 5.8 to 23.2 mm, the
equivalent
of a 35 to 140 mm zoom in a 35 mm camera. Apertures
start at f2.8
at the wide-angle end, and f5.5 at the telephoto end, closing
down to f5.6 and f11 respectively.
The zoom lens includes an optical stabilization system
(IS), which acts to cancel out involuntary camera movements,
making it possible to capture a sharp image in less than ideal
light, or when the zoom is at its maximum telephoto setting;
and the image stabilizer mode can be selected in the Rec.
Menu(see further).
The SD700 is also equipped with
a 4X digital zoom which gradually crops the centre
of the image as its “magnification” power is used,
and then interpolates the cropped image section to the currently
selected image size, engendering a loss of sharpness in the
resulting image.
Shutter speeds cover from 1/1600 second down to 1 second,
but vary with the shooting mode. With the Manual mode,
the range extends down to 15 seconds once the Long
Shutter option has been enabled in the Rec. Menu. Moreover,
all exposures longer than 1.3 seconds are automatically processed
for noise reduction.
The PowerShot SD700 IS can record images at any one of
five sizes:
Large = 2816 x 2112 pixels,
Medium 1 = 2272 x 1704 pixels
Medium 2 = 1600 x 1200 pixels,
Small = 640 x 480 pixels.
Widescreen = 2816 x 1584 pixels, an aspect ratio
that corresponds to (16:9 — HDTV) screens.
Three levels of JPEG compression are available at all image
sizes: Superfine, Fine, or Normal; and
in addition a special format called Postcard captures
a 1600 x 1200 pixel image using a Fine compression.
As explained in the Ergonomics section of the review,
the FUNC. SET button at the centre of the 4-direction
control displays the Function menu when the camera
is set to a capture mode. The menu contains the most often
needed settings during capture, but the number of options
that can be modified depends on the shooting mode:
Mode serves to choose additional capture modes,
according to the shooting mode: Manual, Scene, or Movie:
The Manual mode offers Digital Zoom,
My Colours, Stitch Assist to the right, or
Stitch Assist to the left.
The Scene mode offers a choice of 11 Scene
modes (see the Ergonomics section of the review
for a list of the modes available).
The Movie mode allows selecting the type of
movie to capture (see the Ergonomics section
of the review for a list of the modes available).
Exposure Compensation: serves to adjust compensation
over a range of ± 2 EV in 1/3 EV increments.
In addition, with the Manual mode only, pressing
the Menu button replaces exposure compensation by
the selection of the exposure time for the Long Shutter
mode (between 1 and 15 seconds).
White Balance: Auto, Daylight, Cloudy, Tungsten
(incandescent), Fluorescent (warm-white, or cool-white),
Fluorescent H (daylight) and Custom (for setting the white
point under ambient light).
My Colours provides options to change the way colours
are recorded:
Off: processes the image normally.
Vivid: accentuates colour saturation.
Neutral: softens colour saturation.
Sepia: creates brown-tinted images.
Black and White: captures monochrome images.
Positive Film: intensifies blues, greens
and reds much as positive films.
Lighter Skin Tone: makes skin tones lighter.
Darker Skin Tone: makes skin tones darker.
Vivid Blue: accentuates blues
Vivid Green: accentuates greens.
Vivid Red: accentuates reds.
Custom Colour: allows freely adjusting contrast,
sharpness, saturation, colour balance towards blue,
green or red, or adjusting skin tones.
Metering controls the way the camera evaluates
the frame:
Compression: to select the level of JPEG compression
(Superfine, Fine, Normal). With the camera set to the Movie
mode, this option serves to set the Frame Rate to 30 fps
or 15 fps (note that when the Fast Frame Rate movie
is selected, the option is locked at 60 fps).
Resolution: Large, Medium 1, Medium 2, Small, Postcard
and Widescreen. And, when the camera is set to the Movie
mode using the Standard movie or My Colours movie, this
option offers the choice of frame size 640 (640 x
480 pixels) or 320 (320 x 240 pixels).
Aside from the Function menu, other settings are contained
in the Rec. Menu, displayed when the MENU button
is pressed. With the camera set to a capture mode, the complete
menu is composed of three sections, each identified by a tab
at the top of the screen: Rec. (Recording), Setup(see the Interface and Software section of the review
for the contents of the Setup menu), and My Camera(see further). Whatever the mode, the last 2 sections
are identical, and only the options contained in the first
section vary.
The Rec. menu provides the following options:
AiAF (On or Off) controls how the intelligent
AF operates. When On, using 9 AF points, or when Off, using
only the Centre AF.
Self-timer: provides a choice of either a 2 or
a 10 second delay after the shutter release has been pressed,
or a Custom mode that allows setting the delay between 1
and 10 seconds, or 15, 20 or 30 seconds combined with the
choice of capturing between 1 and 10 images in a series.
AF Assist Beam (On or Off) controls the AF Assist
lamp that automatically comes on when the ambient light
is insufficient for the auto focus to operate reliably.
Digital Zoom: controls the 4X digital zoom.
Review decides whether or not a just-captured image
is shown on the monitor, and how: Off, Hold (keeps the image
on screen until a button is pressed), or 2 to 10 seconds.
Grid Lines: superimposes grid lines on the monitor
to help with composition.
IS Mode provides three stabilization modes:
Continuous: the optical image stabilizer operates
continuously.
Shoot Only: the stabilizer operates only when
the image is captured, not while it is framed.
Panning: stabilizes only up and down movements,
ideal for shooting subjects moving horizontally (not
available with the Movie mode).
Off: to turn off stabilization when it is not
required, such as when the camera is mounted on a tripod.
Date Stamp: this option is only available when
the image size is set to the Postcard format. The option
allows the date or the date and time to be superimposed
on the image permanently.
Long Shutter: On or Off, decides if the Long Shutter
option is available in the Function menu when the
camera is set to the Manual mode.
With the camera set to the Movie mode, the first section of
the menu is limited to the following options: Self-timer (10
or 2 seconds), AF Assist Beam, Digital Zoom, Grid Lines, and
IS Mode.
Set to the Playback mode, the menu is composed
of 4 sections: Play, Print, Setup, and
My Camera, and the last two sections are identical
to those of the capture menu. The Play section of the menu
provides for:
Transition: serves to select the transition effect
between images when images are played back manually.
Slide Show: serves to see a slide show of all the
images on the memory card, or only of selected images selected
by date, or by folder, or only photos marked for transfer,
or only photos marked for printing, or only movies. In addition
any one of three transposition effects can be used, and
the length of the slide show can be preset, as well as whether
or not the show will loop back to the beginning.
My Colours: this option allows modifying already
captured images using options similar to those offered in
the capture mode (Vivid, Neutral, Sepia, Black & White,
Positive Film, Lighter Skin Tones, Darker Skin Tones, Vivid
Blue, Vivid Green, or Vivid Red).
Sound Memo: allows recording a sound memo up to
up 60 seconds long. An option is offered to hear the recording
afterwards, or to erase it.
Protect: prevents images from being accidentally
erased. Protection is applied by pressing the FUNC. SET
for each image.
Rotate: changes the orientation of an image by
either 90° or 270°, also by pressing the FUNC.
SET button.
Erase All: erases all images from the memory card
with the exception of those that have been protected.
Transfer Order: serves to mark images for automatic
transfer when the camera is connected via USB to a computer
running Canon's software.
The second section of the menu is to select images for printing:
Print: starts printing selected images when the
camera is connected to a compatible printer.
Select Images & Quantity: to select images
from printing, and how many copies of each image will be
printed.
Select All Images: selects all the images on the
memory card for printing.
Clear All Selections: cancels all print orders.
Print Settings decides the type of print to make:
Index, of frame by frame, with or without the date, the
file name, serves to reset all DPOF settings.
With the camera in Playback mode
and with a Movie on screen, pressing the FUNC.SET
button displays controls to review the movie at an accelerated
pace, or frame by frame, and allows deleting frames from the
beginning and end of the movie.
The fourth section of the
Playback menu, and the third section when the camera is set
to the capture mode, is the My Camera section which
contains options to "personalize" the SD700 IS.
The start-up image, and any of the sounds produced by the
camera (start-up, operation, self- timer, shutter) can be
modified. Three themes — composed of a start-up image
and a series of related sounds — are pre-loaded in the
camera, and over 40 more can be uploaded to it, three at a
time and including an image captured with the camera, when
the SD700 IS is connected to a computer running the accompanying
software.
A small plastic door at the
top right side of the camera covers the two external connections
of the SD700 IS.
Uppermost is the A/V (Audio/Video) Out jack for which the
output signal can be set to NTSC or PAL in the Setup menu,
making it possible to connect the camera to televisions the
world over.
Below is the USB (USB 2.0 Hi-Speed) port, which serves to
connect the camera to either a computer or a compatible printer.
As with all Canon SD cameras,
the PowerShot SD700 IS is compatible with SD (Secure
Digital) and MMC (MultiMedia) memory cards, although
the use of SD cards is preferred. In North America the SD700
IS is retailed with a starter 16 MB SD card.
The chart below is intended to provide approximate image
and movie capacities using the bundled 16 MB SD card,
and an optional 512 MB card, more suited to the resolution
of the camera:
Photos
Card Capacity
16 MB
512 MB
16 MB
512 MB
16 MB
512 MB
Resolution/compression
Superfine
Fine
Normal
2816 x 2112
4
176
8
292
17
603
2272 x 1704
6
237
12
425
24
839
1600 x 1200
13
471
24
839
46
1590
640 x 480
52
1777
80
2747
127
4317
2816 x 1584
6
235
11
392
23
794
Movies
Card Capacity
16
MB
512
MB
640 x 480
30
fps
6
sec.
4
min 9 sec.
15
fps
14
sec.
8
min. 14 sec.
320 x 240
30
fps
20
sec.
11
min. 42 sec.
15
fps
40
sec.
22
min. 53 sec.
320 x 240
60
fps
10
sec.
5
min 59 sec.
160 x 120
15
fps
1
min. 39 sec.
55
min. 57 sec.
The memory card slot is located
behind the same door that covers the battery, the latter being
held in place by a spring-loaded clip so that it cannot slide
out while the card is accessed.
The battery that powers the SD700 IS is a rechargeable Lithium-Ion
(NB-5L). The charger (CB-2LX) is included in
the kit, and takes approximately 2 hours to recharge a fully
depleted battery. In addition, a small opening with a soft
plastic cover, located in the battery compartment's door,
allows the wire of the optional AC adapter (CA-DC10) to exit
so that the camera can be powered from household current.
Compare Prices for Canon PowerShot SD700 6 MP Digital Camera