A 7.2 megapixel resolution
combined with a 7X fully internal optical zoom and anti-shake
system are the most noticeable features of the Casio
Exilim EX-V7. Very compact and completely metal-clad,
the EX-V7 is turned on by sliding back the lens cover.
The front of the Exilim EX-V7
supports the flash, positioned directly above the lens, while
below the lens lies the AF assistant lamp, which doubles as
the Self-timer lamp, and to its left are the two openings
for the stereo microphones.
The top of the camera has only one button, the 2-stage shutter
release. Pressed halfway, the shutter release starts the auto
focus and the auto exposure, and locks the settings when maintained
at the halfway point.
All the other external controls
of the Casio EX-V7 are arranged on the right side of the monitor.
The monitor, which doubles as the camera's viewfinder, measures
2.5 inches (6.35 cm) diagonally and is composed of 230,400
pixels (960 x 240 pixels), which gives it a crisp and sharp
image.
Closest to the edge of the monitor is the zoom control,
a spring-loaded slider control that always returns to the
centre position.
The control moves the optical zoom
from the wide angle to the telephoto end (7X) or vice versa
in approximately 3 seconds, smoothly moving through 14 steps,
but the transit speed is controllable by pushing the control
more or less.
With the camera set to the
Playback mode, the zoom control serves to zoom into an image
under review or zoom out. Pressed towards the wide angle end
,
the zoom control can display captured images in an index
view ()
presenting 9 thumbnails first, and when pressed again, a calendar
view that shows a month and a tiny thumbnail of the first
photo captured on the day it was captured.
And, when pressed to the telephoto
end, the the control serves to zoom into
an image ()
up to 8X.
The other control that dominates
the upper right side of the EX-V7's back is the Mode
Dial.
The Mode Dial has 8 positions, each corresponding to a capture
mode:
Snapshot, is the equivalent of the
Program mode on other cameras. The camera sets the aperture
and selects the shutter speed, but most other controls
can be adjusted at will by the user.
Best Shot modes includes a sample
image and a short description of the mode's use and
settings:
Portrait
Scenery
Portrait with Scenery
Children
Sports
Candlelight Portrait
Party
Pet
Flower
Natural Green
Autumn Leaves
Soft Flowing
Water
Splashing Water
Sundown
Night Scene
Night Scene Portrait
Fireworks
Food
Text
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Backlight
High Sensitivity
Monochrome
Retro (sepia)
Twilight
Layout (1)
Layout (2)
Auto Framing
ID photo
Old Photo
Business Card and Docs
White Board, etc.
Register User Scene
(allows using the same settings as those used for
a previously captured photo)
Aperture Priority AE allows the user
to select the aperture, and thereby have some control
over the depth of field, while the camera matches the
selection to a shutter speed. Apertures of f3.4, f4.6
and f9.2 are available when the zoom is set to the wide
angle setting, while at the telephoto end this becomes
f5.3, f6.5 and f13. Worth noting, the f9.2/f13 apertures
are achieved through the use of a built-in neutral density
(ND) filter.
Shutter Speed Priority AE allows the
user to select the shutter speed, and thereby have control
over how the camera captures movement, while the camera
matches the selection to an aperture, with speeds ranging
from 60 seconds to 1/800 second.
Manual Exposure provides complete control
over the exposure, offering the same aperture and shutter
speed range as are available with the A
and S modes.
Easy Mode is the simplest shooting
mode of the EX-V7, as the camera handles most photographic
settings, and is the equivalent of the Auto mode on most
cameras.
Movie offers a choice of seven recording
modes, as follows:
Image Quality
(Pixels)
Frame Rate
Audio
UHQ
640 x 480
30 fps
Stereo
UHQ Wide
848 x 480
30 fps
Stereo
HQ
640 x 480
30 fps
Stereo
HQ Wide
848 x 480
30 fps
Stereo
Normal
640 x 480
30 fps
Stereo
LP
320 x 240
15 fps
Mono
During movie recording, the optical zoom remains available
and white balance, exposure, and focus are adjusted
as required.
Movie Best Shot is the movie version
of the Best Shot mode. 12 modes are
available:
Portrait
Scenery
Night Scene
Fireworks
Backlight
High Sensitivity
Silent
Short Movie
Past Movie
Voice Recording (serves to use
the camera as a digital voice recorder)
Register User Scene
(allows using the same settings as those used for
a previously captured movie)
A group of 8 holes below the Mode Dial indicates the position
of the camera's speaker. Beneath these, the Control
button, a 4-direction control, serves to navigate the EX-V7's
menus, and confirm selections using the SET
button positioned at its centre. In addition, the SET button
also serves to switch back and forth between the adjustment
of the aperture and of the shutter speed when the camera is
used in the Manual mode. Likewise, two of the four directions
of the Control button support additional functions.
The up direction is labelledDISP
and controls what information is superimposed on the monitor.
Three displays are possible:
One that superimposes basic settings: flash setting, shooting
mode, number of shots remaining, image size and quality,
ISO setting, date and time, in addition to the battery state
and the AF point(s).
A second that adds a real time histogram that shows both
overall image brightness, and the brightness level of each
colour component (RBG).
And a third that clears the screen of all information
with the exception of the AF point.
Moreover, whichever display mode is selected, when the shutter
release is pressed halfway, the camera displays the selected
aperture and shutter speed.
The down direction offers two
functions:
With the camera set to
one of the still image capture modes, it serves
to select the Flash Mode: Auto Flash,
Forced Off, Forced On, Soft Flash, or Red-eye Reduction.
And when the camera is set to capture movies, it controls
the Recording Light — effectively
a small movie light to add light to the subject being
recorded — using the AF assist light. Worth noting,
unless turned off by pressing the same button again,
the light stays on when the recording is stopped and
could drain the battery. Moreover, this function can
also be used with still image capture modes if enabled
in the menu.
With the EX-V7 set to the
Playback mode, the down direction serves to Delete
images, either the one currently under review or all images.
Two other buttons complete the external controls of the EX-V7:
the Playback button ()
can be used to switch to the playback mode when the camera
is on, or start the camera directly in
the playback mode when it is off, and turn if off as well.
the Menu button displays the camera's
menu that corresponds to the current shooting mode, or the
playback mode. (See the Characteristics
and Interface and Software sections of
the review for details about the menus.)
Ergonomically, this is a
camera with no serious flaw. Superbly compact, and easily
slipped into a pocket because of its smooth, protuberance-free
design, the Casio Exilim EX-V7 is one of the nicest cameras
to carry around. Moreover, it offers a powerful optical zoom
with a stabilizer(see the Characteristics
section of the review), a high resolution, simple but
effective controls, and a sharp monitor.
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