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Fujifilm FinePix F10

Reviewed June 2005

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion

Although Fujifilm is a company that became noted for creating elegant cameras with unusual shapes — vertical and square — its new FinePix F10 has a much more conventional design.

The lines of the F10 are very clean, and the design has few external controls:

The Power Switch is on the top and recessed into the surface so as to avoid any chance that the camera is accidentally turned on.

To the right of the Power Switch, the 2-stage Shutter Release sits atop the Mode Switch.

The Mode Switch has four positions, each stencilled in black on the camera's top:

Is the first position when starting from the top, and is the access to the F10's 5 Scene Programs, the choice of which is made using the menu, leaving the last used mode as the active mode when the dial is set to this position:

Natural Light: allows capturing images without flash, even when the ambient light is low. The camera uses its AF assistance light to focus, and the camera's sensitivity can increase up to 1600 ISO if necessary.

Portrait: softens sharpness, and optimizes skin tones.

Landscape: increases sharpness, and turns off the flash.

Sport: prioritizes a high shutter speed so as to freeze action. Flash and sensitivity are automatically adjusted.

Night: allows the camera to capture exposures up to 3 seconds long. The flash remains useable (Slow Synch with Red-eye Reduction) making it possible to photograph someone standing in front of night scenery.

Long Exposure: activated in the Setup menu, this mode makes it possible to set a shutter speed from 3 to 15 seconds.

Auto: allows the F10 to set most parameters with the exception of the image quality, Sensitivity, and Colour.
With the Manual mode, the F10 also sets the aperture and shutter speed, but the user has control over exposure compensation, metering mode, white balance, and focus mode.

Movie serves to capture video clips with sound at either 640 x 480 or 320 x 240 pixels and at 30 frames per second, and limited only by the capacity of the memory card in use. The zoom position is set and locked at the first frame, but the exposure and white balance are adjusted continuously as the recording progresses.

The FinePix F10 does not have an optical viewfinder. Instead, the camera is equipped with a large 2.5 inch (measured diagonally) LCD monitor with 115,000 pixels that occupies most of the camera's back, leaving only a narrow section for the remaining external controls.

Starting at the top, the Zoom Control is positioned at the top of a dimpled area, intended as a thumb rest. In addition to controlling the zoom, the control allows zooming in and out of a photo in playback, providing a maximum magnification of 4.5X (4.7X with 3:2 format images).

At the 7 O'clock position of the dimpled area, a small LED is used to indicate power (green), or recording and flash charging (orange).

Just below the LED, two elongated silver buttons are each identified by a coloured icon:

Serves to start the Playback mode. In addition, pressing and holding this button more than 1 second when the camera is turned off starts the FinePix F10 directly in Playback mode, which avoids having the lens deploy.

With the still image capture modes this button displays the Photo Mode menu, which contains options to set the image size and quality, the CCD sensitivity, and set the image colour. With the Movie mode this button only serves to adjust frame size. (See the Characteristics section of the review for more information on the Photo mode menu).

The FinePix F10 is compatible with PictBridge and DPOF and when connected directly to a similarly compatible printer, the Photo Mode button displays a menu to select photos for printing and set DPOF tags.

Next comes the 4-direction button with the MENU/OK button at its centre. The four direction button serves to navigate the menus, and progress through captured images in Playback. The MENU/OK button serves to call up the menu and register selections.

Each of the four directions also has a function while the camera is in the capture modes, and one also has a function in the Playback mode:

The UP arrow allows changing the brightness of the monitor momentarily when the ambient light makes the screen difficult to decipher; the monitor returning to its normal brightness after the shot is captured.

In addition, while the camera is in Playback, the button can be used to delete images when they are on the screen.
The RIGHT arrow serves to cycle through the Flash Modes: Auto, Auto with Red-eye Reduction, Forced On (fill-in), Suppressed Flash, Slow Synchro and Slow Synchro with Red-eye Reduction.
The DOWN arrow controls the Self-timer which has 2 possible delays: 10 seconds when pressed once, and 2 seconds when pressed twice. When the Self-timer is active, a red LED located below the flash blinks while the camera counts down the delay.
Finally, the LEFT arrow is for Macro Mode which allows the camera to focus on a subject that is between 7.5 and 80 cm (3 inches to 2.6 feet) from the front element of the lens at the wide angle position, and from 30 to 80 cm (1 to 2.6 ft.) at the full telephoto setting.

The last button is at the lower right of the monitor and controls the data superimposed on the monitor:

By default, in the capture modes camera settings are superimposed on the periphery of the monitor's image: shooting mode, flash mode, metering mode, image quality setting, the number of shots remaining, ISO setting, battery state, while the AF brackets are superimposed at the centre of the frame.
 

When one of the settings is modified — macro mode, self-timer, exposure compensation, white balance, continuous mode, or colour mode — the change is also indicated with an icon on the monitor.

In addition, when the shutter release is pressed halfway, shutter speed and aperture are also shown on the lower part of the monitor.

 

Pressing the DISP button once removes all data but the AF brackets superimposed on the monitor. A second press of the button returns all the basic information and adds a composition grid to the display. A third press of the button changes the display once again, this time to a presentation that is called "Post Shot Assist Window" which presents the live view in a window on the right of the screen and the last 3 shots captured as thumbnails on the left.

 

With the camera in Playback mode, the default display shows the file name, the battery state, the image size/quality, the ISO setting, the exposure compensation setting if any, the white balance setting and the time and date, superimposed on the image.

 

As with the capture modes, pressing the DISP button once clears all superimposed information from the image. Pressing it a second time switches the display to the Multi-frame view, showing 9 thumbnails per screen, with the currently selected image appearing slightly enlarged. Finally, a third press of the button sorts the images by date, presenting 11 thumbnails per screen, while the capture dates are displayed on the left side of the monitor.

 

Finally, in addition to controlling how information is displayed on the monitor in both capture and playback modes, the button also serves to BACK out of a menu, or out of an operation in progress.

The Fujifilm FinePix F10 is a camera that is very pleasant to use. Its external controls are few, and their function easily remembered, while their placement prevents errors. Moreover, just as is the camera itself, the controls are quick to respond.

Similarly, the large LCD monitor with its fast refresh rate and instant brightness adjustment make it comfortable to use, effectively minimizing any need for an optical viewfinder.

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Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion




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