When Fujifilm introduced the
first Super CCD, the technology was the subject of some controversy
as it produced images that, for lack of a better description,
were interpolated since they contained more pixels than were
physically present on the sensor. Now, with the passage of
time, the controversy has died down to a great extent, and
the Super CCD's strength is recognized: it is one of the most
accurate sensors when it comes to colour reproduction, a trait
the FinePix F40fd inherits.
The F40fd captures colours
with great precision, and with subtlety, even when the ambient
light is less than ideal, such as on a cloudy day. The lens
of the F40fd is effectively free of chromatic aberration,
and only very high contrast situations may cause it to appear
near the outer edges of the frame. Similarly, aside from a little
bit of barrel distortion — detectable when the subject
is near — standard photos do not reveal any major distortion
at either end of its focal length range.
Designed as a point-and-shoot,
the F40fd is clearly not intended for those that demand
precise control over their camera. Although equipped with
a mode that Fujifilm calls "Manual", the F40fd
provides no possibility of adjusting shutter speed or aperture.
In fact, the Manual mode is much more like a basic
Program mode, offering controls over the image using sensitivity,
exposure compensation, white balance, metering pattern, and
the focus mode but little else. Moreover, the F40fd
is limited to a maximum exposure time of 4 seconds and is
not able to obtain photos at night without the use of the
flash.
The ease of use that is evident
in all aspects of the F40fd's design is also underlined
by its Face Detection system. With this camera, the Face Detection
system is now remarkably capable, and when active, picks out
faces in the frame even before the shutter release is pressed,
placing a green frame around them and following them until
they move out of frame.
So effective is the Face Detection
system on the F40fd that when the camera was being
panned and it was accidentally presented with a framed photo
of a couple, it immediately recognized the faces, framed each
with a green rectangle and tracked them until they were out
of range.
Unlike some other cameras, the F40fd 's photos seem
to a always contain some residual noise, particularly in shadow
areas as of 100 ISO, which is its lowest sensitivity level.
Aperture: f3.8, shutter speed: 1/60 sec, 100 ISO.
But, unlike many other cameras,
when shooting under good light such as on a sunny day, or with
bright artificial light, shots can be captured at 200 and even
400 ISO without a serious increase in noise.
Past 400 ISO, however, only
800 is useable if the image size is reduced when printing.
The 1600 ISO level, accessible in the Manual mode and by some
scene modes, is quite noisy and looses a lot of detail, as
do the Picture Stabilization and Natural Light modes, which
can go as high as 2000 ISO. The images captured in these modes,
particularly when seen at full scale on a monitor, resemble
a pointillist painting and are devoid of any detail.
Following in the footprints of most current Fujifilm cameras,
the F40fd does not offer much choice for compression.
Only the highest resolution,
the full 8 megapixel, offers a choice of compression. The
8M Fine format uses a compression ratio that sticks to the
6:1 range, while the Normal level (8M normal) doubles the
compression to a 12:1 ratio. Regrettably, the 3:2 image size,
which has ideal proportions for printing images, is limited
to the Normal compression ratio of 12:1, as are all
other image sizes.
Still, albeit less detailed,
even images captured with this level of compression are quite
useable.
Flash photos also tend to turn out well, although the subject
should not be farther than a couple of meters (6 to 7 feet).
Zooming is best avoided when shooting with flash unless the
sensitivity is set to Auto (400). At the maximum telephoto
setting the camera only has access to a much smaller aperture
(f5.1) and images can become quite dark if the flash is relied
on as the main source of light.
Aperture: f8, shutter speed: 1/640 sec, 100 ISO.
In fact, the flash is most effective
when it is used as fill-in light, adding a little direct light
to an already well lit subject.
The only negative point in the F40fd's image quality
is, in our opinion, that the images look a bit over-sharpened
when examined closely, causing the appearance of a slight
grain; and that there is no user control to reduce the sharpening.
This said, this strong sharpening does not impact images negatively
when they are printed, even up to an 8 x 10 inch (20 x 25
cm) size.
As a high resolution, very
compact camera, the FinePix F40fd should satisfy
the needs and requirements of most point-and-shoot users.
Easy to use, it offers a compatibility with SD memory cards
— a very popular format that seems to occupy the sweet
point between size, practicality and cost — and with
Fuji's own tiny memory card standard: xD. Moreover, it also
offers an effective face detection system that goes a long
way to ensure that photos of family and friends are correctly
focused. All of which helps the F40fd produce good
images from which users should get excellent prints.
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