megapixel.net logo

Digital Camera News and Reviews

Megapixel.net Partners
Be a Megapixel Partner



internet.commerce
Be a Commerce Partner


















Fujifilm FinePix S3 Pro

Reviewed September 2005

Test Photos

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion
PLEASE NOTE:

Here are a few images that accurately reflect the abilities of any given camera model. The images are altered only in terms of size and sharpness after reduction and by the JPEG compression used. Unless otherwise mentioned, assume that any marbling or artifacts visible in the images are due to the compression required to display them here. We feel however, that they still faithfully represent the results we experienced.

STILL LIFE PHOTO

This subject is photographed in a room that has a mix of fluorescent and incandescent light, but which is not brightly lit. The camera's flash is used to add fill light. The backdrop is 1.95 m (6.5 ft) from the camera.

Both photos of the Still Life shot are captured using the JPEG format. The wide angle shot is done with a 24 mm focal length, the equivalent of a 36 mm.

The pop-up flash of the S3 is able to light a field of view similar to what can be captured with a 20mm lens, and with this slightly narrower focal length yields an image with very even illumination.

Photo Information
Format: JPEG Aperture: f3.8
Exposure: Program Shutter Speed: 1/60 sec.
Resolution: 3024 x 2016 Flash: On
Quality: Fine ISO: 100
File Size: 2.9 MB Focal Length: 36 mm (35mm Eq)

Although captured using the 6-megapixel image size which is sharper than the 12-megapixel size, some jaggies can be discerned in the solid red line that borders the printing of the old paper envelope.

ZOOM PHOTO

Now we zoom in on a specific area. The intent is to test the sharpness of the image at the zoom's maximum setting. The camera remains at the same distance as with the preceding photo.

The zoomed shot is accomplished using a focal length of 100 mm (equivalent to a 150 mm in the 35 mm format). The Auto white balance of the S3 yields colours that are consistent to those of wide angle shot.

The magnification allows the camera to capture fine details, and although the depth of field is relatively shallow, the printing screen for the old envelope is quite visible.

Photo Information
Format: JPEG Aperture: f3.8
Exposure: Program Shutter Speed: 1/60 sec.
Resolution: 3024 x 2016 Flash: On
Quality: Fine ISO: 100
File Size: 2.8 MB Focal Length: 150 mm (35mm Eq)
Aperture: f16, shutter speed: 1.5 sec., ISO 100.

MACRO PHOTO

As always with SLR cameras, the advantage is that lenses designed for specific uses can be used. This is holds true for the S3 as it has access to a wide assortment of Nikon lenses, including some specifically designed for macro photography.

Moreover, a number of relatively inexpensive lenses — such as the 50mm used here in conjunction with an extension tube — can be used to capture detailed macro images.

BUILDING PHOTO

This image is our outdoor test. The architecture of the building, in particular the angled girders, immediately shows the presence of jaggies. The shadowed entrance can also often reveal the quality of the exposure.

A 20 mm focal length, which when converted to the 35mm format is the equivalent of a 30mm, provides a wide field of view.

The S3's 3D matrix metering produces a very well exposed image and the Auto white balance captures colours that are true to life. In particular, the colour of the sky is reproduced perfectly.

Photo Information
Format: RAW Aperture: f6.7
Exposure: Program Shutter Speed: 1/180 sec.
Resolution: 4230 x 2820 Flash: Off
Quality: No compression ISO: 100
File Size:

Raw: 25.1 MB
TIFF: 69.9 MB

Focal Length: 30 mm (35mm Eq)
However, with this subject, the step-like effect that was mentioned earlier is clearly visible, and is similar to artefacts that are the result of an interpolation such as occurs with a digital zoom.

ZOOM PHOTO

Zooming in on the entrance of the building, the shadowed entrance takes on a greater importance for the metering and can cause an overexposure of sections that are directly lit.

This telephoto shot is captured using a 70-210 mm f3.5-4.5 at its full telephoto setting. At this setting, with the S3 the field of view is similar to what would be captured with a 315mm lens.

The photo was captured using the RAW format and then converted using Hyper-Utility2. While loaded into Hyper-Utility2 the Wide Dynamic Range was selected allowing details to be retrieved from areas that were almost overexposed.

Photo Information
Format: RAW Aperture: f8
Exposure: Program Shutter Speed: 1/30 sec.
Resolution: 4230 x 2820 Flash: Off
Quality: No compression ISO: 100
File Size:

Raw: 25.1 MB
TIFF: 69.9 MB

Focal Length: 315 mm (35mm Eq)
The result is that the lettering on the sign that is attached to the door was made legible, without loosing any of the details the camera had captured behind the glass doors.

 

NIGHT PHOTO

Since this camera is capable of long exposures, a photo taken at night is included here.

Aperture: f4.8 shutter speed: 15 sec., ISO 100.
Captured in RAW format and converted to TIFF format.

The S3 Pro has a shutter speed range that extends to 30 seconds and in addition offers a Bulb mode when the camera is set to the Manual mode and Custom Function 6 is enabled. But, while a Bulb mode provides flexible timing for long exposures, with a subject such as this one the timed presets of the camera are just as efficient. Regrettably however, the S3 does not provide a mirror lock-up function to prevent the potential vibration introduced in the image when the mirror lifts at the start of the exposure.

With the white balance set to Incandescent so as to take into account the surrounding lights, the S3 yields JPEG images that have a noticeably yellow cast. But, using a photo captured in RAW format, it was possible using Hyper-Utility2 to correct the white balance perfectly by selecting a grey point.

Being in RAW format image however, it has a 12 megapixel resolution and jaggies (a step-like artefact usually associated with an interpolation — are noticeable.

Compare Prices for
Ape Case Teton 514 Digital SLR Camera Bags Cases
StoreSeller RatingsDescriptionPrice
Searsin stock$34.99
Kmartin stock$34.99
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion




The Network for Technology Professionals

Search:

About Internet.com

Legal Notices, Licensing, Permissions, Privacy Policy.
Advertise | Newsletters | E-mail Offers