As is usually the case with
Fujifilm cameras that use a Super CCD, the image quality of
the S5200 exhibits some noticeable traits. One of these is
that the camera can capture details in zones where standard
CCDs often do not. For example, the photo at right contains
a strong contrast between light and shadow areas, and yet
shows great detail in both, entirely avoiding any overexposure
in the bright areas and any underexposure of the shadows.
Another characteristic of
Super CCD cameras that is noticeable with the S5200 is that
it appears to be able to capture a broader range of colours
than most standard compact digitals. This translates into
images that capture slight colour nuances such as the varied
hues of a blue sky, and which tend to have very natural looking
colours.
The best image quality available with the S5200 is when the
CCD-RAW mode is used. Then, even with the limited functionality
of the CCD-RAW converter included with the camera, images
are very detailed.
However, the fact that the software
supplied with the camera does not offer any means of adjusting
the image while it is in its RAW state clearly limits the
use of the CCD-RAW mode unless the user has access to a more
powerful RAW converter such as what can be had with Adobe
Photoshop CS II.
Regrettably, the JPEG format, even when the Fine (5MF) image
quality is used, applies a compression of approximately 6:1,
which can be too strong with some subjects, and can have the
effect of lowering the quantity of detail that can be seen
in the image.
Still, with the JPEG format,
the S5200 yields useable images up to 400 ISO, especially
if there is good ambient light or the flash is used. However,
at the higher ISO settings, particularly 800 and 1600 ISO,
images captured in low light and without flash take on an
impressionistic look. Indeed, whatever the image format selected,
images captured in low light and without flash are not the
S5200's best.
Aperture: f4.9, shutter speed: 1/450 sec., 64 ISO,
38 mm (equiv.)
The red rectangle indicates the area framed at the full
magnification of the zoom, and which is shown below.
On the other hand, outdoors and
with good light or bright sun, the S5200's 64-segment Multi
metering pattern is very reliable and handles complex lighting
effectively, producing clear and vibrant images.
This said, there is little doubt that the primary attraction
the FinePix S5200 will have for the consumer will be its 10X
optical zoom.
At the wide angle end, the
S5200 has a field of view comparable to a 38 mm lens in the
35 mm format. This focal length allows the camera to capture
a reasonably wide area, as can be seen in the photo shown
above.
At the other end of its range, the zoom is the equivalent
of a 380 mm telephoto lens, and its powerful ability to bring
distant subjects closer is exemplified by the image at left.
However, at its maximum telephoto
setting, the zoom also amplifies the impact of the slightest
movement made by the photographer, and unless there is plenty
of light to allow for a fast shutter speed, any movement can
cause a blurred image. Therefore, a tripod can be necessary
to ensure a sharp image.
At the wide angle end, the zoom
yields a good image, but one that is less sharp than what
it yields at its maximum telephoto. Barrel distortion is minimal,
and unless the subject is nearby, usually unnoticeable. A
chromatic aberration can be seen on the edges of zones that
are strongly contrasted, however, and can also become visible
at longer focal lengths when the conditions are right for
it. While at the telephoto end of the zoom, neither distortion
nor aberration was observed.
In use, the FinePix S5200 responds
quite quickly, whether to the shutter release or to its controls.
Similarly, under normal conditions, the camera is quick to
focus, and if need be is ably helped by a bright AF-Assist
lamp. Nevertheless, under low light and with the zoom at its
maximum magnification, the focusing process can sometimes
become lengthy or hesitant, even with the help of the assist
lamp.
The S5200 is able to produce
very good images when used in good light, as well as with
flash, and captures very precise colours.
This, and the fact that the FinePix S5200 has a good ergonomic
design borrowed from SLR-type cameras, a 5.1 megapixel resolution,
a 10X zoom with a long reach, and a competitive price, should
make it a very attractive camera.