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On the heels of last month's review of the Dimage 7, we turn to the Minolta Dimage 5, the 3.3 megapixel version of what is ostensibly the same camera. Indeed, the differences between the Dimage 5 and 7 don't exactly jump out. With one next to the other, the only noticeable difference is the colour of their grips, light-grey for Dimage 5, dark blue-grey for the Dimage 7.

Yet the difference in their image size translates into a 35 to 250mm equivalent focal length for Dimage 5 as opposed to the 7's 28 to 200mm.
The grip supports a 2-stage shutter release and the Control Dial, a small wheel which, in combination with other controls, serves to make changes to most of the camera's settings. Behind these are two other buttons. On the right is the Pro-Auto [P] button, which immediately engages the variable Program mode, and to its left a round button used to select the Subject-Programs in combination with the Control Dial.
Nearby, the top mounted display indicates all the current camera settings, and is backlit automatically when the shutter release is half pressed.

The status display includes critical details such as the aperture, shutter speed, and program in use; it also includes information about a host of other settings ranging from the image size and mode to the ISO, white balance, exposure compensation, shooting mode and the number of frames remaining.
The primary control of the Dimage 5 is the Mode Dial, located on top of the body near the back. It has 6 positions:
Power On/Off is equipped with a locking mechanism that prevents the camera from being turned on accidentally.
Still image recording mode.
Playback.
Movie mode.
Basic camera Setup.
USB Connection mode.
The second most important dial is on the top left side of the Dimage 5. It is called the Function Dial and provides access to the most commonly needed settings of the camera.
 
  • Image Size,
  • Image Quality,
  • Priority Program Mode,
  • Drive,
  • White Balance,
  • ISO setting.
 
By turning the Function dial to the desired option, and then holding down the button at its centre, the setting can be changed by simply rotating the Control dial next to the shutter release.
Effect is used — once again in conjunction with the Control Dial — to make changes to exposure compensation, contrast, or colour saturation.

A button close to the back of the camera allows switching between Manual focus and Autofocus, and the lens barrel has a switch to engage the Macro position when the lens is at its maximum of 250mm.
The Minolta Dimage 5 uses a newly developed LCD EVF [EVF = Electronic ViewFinder] which provides an image comparable to what would be achieved with 220,000 pixels. The display is bright and yields as good an image as can be had with an electronic viewfinder. It also has a diopter correction positioned next to the left of the rubber eyepiece.
The viewfinder is designed so that it can be titled up vertically to 90°; useful for shots that require the camera to be close to the ground and would not allow the LCD screen to be visible.
The remaining controls of the Dimage 5 are all on the back of the camera, grouped on the left of the 1.8 inch LCD screen. First, near the viewfinder, is a rotary switch that controls whether the EVF or the screen is used. It also has an Auto setting that lets the camera select automatically either the viewfinder or the LCD screen using a sensor (the dark rectangular areas on the right of the viewfinder's exit pupil) to detect the fact that the user has brought the camera's viewfinder up to the eye.
Immediately below is the Menu button; and further down the 4-direction control that serves to make selections in the menus, or review photos. Again, further down, is the Quick View control — to review a just captured photo without having to resort to the Playback mode — and which also allows deleting. Last and lowest on the back, is a square button [] that can either magnify an image under review (3.2X) or turn on the digital zoom (2X). The digital zoom is simply an image cropping device that captures a central portion of the image frame.
Finally, completing the user controls on the back of the camera, is the AF/AE Lock button, placed directly below the Mode Dial. Its function can be configured in the camera menu to be either a straightforward AE Lock, or an AF/AE Lock.




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