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Minolta's Dimage 7 was the first 5 megapixel camera to reach the market, and its release generated a lot of interest. The Dimage 7, and its 3.3 megapixel twin the Dimage 5, are similar in appearance and share much in common, including a solid magnesium alloy exterior.
 
The Dimage 7's grip supports a 2-stage shutter release with, to its right, the Control Dial, a small wheel used to make setting changes in combination with other controls. Behind these, towards the back, are two other buttons: the Pro-Auto [P] button, which immediately engages the Program mode; and to its left, the round Subject-Program button which, in combination with the Control Dial, allows the selection of pre-programmed scene modes.
On top of the camera, a good-size top mounted display, with a backlight activated when the shutter release is half pressed, indicates all the settings.

The information presented there includes the basics: aperture, shutter speed, program modes; but also include a myriad of other details about the camera. The display is one of the most complete on a digital camera to date.
Two main dials are fitted on the Dimage 7. The first is the Mode Dial, located on top of the body, near the back of the camera. Its 6 positions control:
Power On/Off. Requires pressing in a locking mechanism that prevents the camera from being turned on accidentally.
Still image recording mode.
Playback.
Movie mode.
Basic camera Setup.
USB Connection mode.
Second is the Function Dial, on the top left side of camera. Its design seems to have been inspired by a similar dial used on the Sony DSC-D770. The Function Dial also provides 6 positions: Image Size, Image Quality, Priority Program Mode, Drive, White Balance, and ISO. Turning the dial to the desired option and holding in its centre button, allows the setting to be selected by the Control dial (the small wheel by the shutter release). This is a simple and elegant system.
The left side of the Dimage 7 supports additional controls. A three position switch labelled Effect is used, again in conjunction with the Control Dial, to make changes to exposure compensation, contrast or colour saturation.

Closer to the back of the camera sits a Focus selector and towards the front, on the lens barrel, the switch to activate the macro mode.
The Minolta Dimage 7 uses an Electronic ViewFinder (EVF). The viewfinder provides the equivalent of 220,000 pixels to display the image. It can be tilted up 90° to the vertical, allowing its use for photos that require unusual camera angles such as macrophotos. Its display is bright — and adjustable — and yields as good an image as can be had with an electonic viewfinder. A diopter correction is fitted on the left side.
The other controls are on the back of the Dimage 7. First, near the viewfinder, is a rotary switch that decides whether the EVF or the 1.8 inch LCD screen is used. In addition, it provides an Auto setting that lets the camera automatically select either the viewfinder or the LCD screen. The system uses a sensor (the dark rectangular areas on the right of the viewfinder's exit pupil) to detect the fact that the user has brought the camera's viewfinder up to the eye.
Immediately below is the Menu button; further down, the 4-direction control that serves to make selections in the menus, or review photos. Yet further down, is the Quick View control to review a just captured photo without having to resort to the Playback mode. The same button can also be used to delete the image.

Lowest on the back is a square button that can either magnify an image under review (4X), or if enabled in the menu, turn on the digital zoom (2X), or a 4X magnifier to help manual focus. The digital zoom itself is simply an image cropping device that captures a central portion of the image frame.
 
Finally, completing the user controls on the back of the camera, is the AF/AE Lock button, placed directly below the Mode Dial. Its precise function can be set in the camera menu, either as a straightforward AE Lock, or an AF/AE Lock.




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