Aperture: f4, shutter speed: 1/125 sec., 50 ISO, 38
mm (35 mm eq.).
The zone captured with the zoom at the maximum telephoto
(below) is shown by the green rectangle in the
image above.
While this camera's basic characteristics are similar to
those of the S4 — a 6-megapixel CCD, a 10X optical zoom
and a 2.5-inch LCD monitor — the S10 adds some important
improvements: a monitor with twice the resolution, and an
optical stabilization system called VR for Vibration
Reduction.
The S10's monitor provides an excellent
and smooth image that is ideal when capturing macro shots —
something at which the Coolpix S10 excels — or when shooting
portraits. However, the inclusion of optical stabilization is
probably the most valuable feature of this particular model.
The VR stabilization system is very effective. It makes it
possible to obtain sharp images with the camera handheld when
the zoom is at its maximum magnification, and with shutter
speeds that are less than what would normally be necessary
to ensure a shake-free image.
The Nikkor zoom has a focal length equivalent to a 38 to
380 mm in 35 mm, a range that offers a great deal of freedom
when framing a shot, and which allows closing in on a small
section of a subject and excluding other parts.
As with many other long zooms,
wide angle shots reveal a slightly soft image sharpness. Past
the widest angle setting of the zoom, however, sharpness increases
and remains consistent right through to the telephoto end.
Some photos captured with
the wide angle end of the zoom also exhibit some barrel distortion
when the subject is relatively close, and when there are vertical
elements imaged near the edges of the frame (doors, walls,
etc). This phenomenon is most noticeable with macro shots,
but as part of the zoom range can be used, it is possible
to avoid the widest angle. At other focal lengths, no particular
distortion is visible, and it is only when the zoom is at
the maximum telephoto that a slight chromatic aberration can
sometimes be observed in images.
The Coolpix S10's Matrix metering
is very reliable, and delivers excellent exposures under a
wide variety of lighting and conditions. The Matrix system
divides the scene to be photographed into 256 segments, and
then compares the results to database of compositions to produce
the most appropriate camera settings to capture the image.
Similarly, the S10 reproduces
colours faithfully and avoids any excessive over-saturation.
This is particularly valuable with portraits as skin tones
are usually perfectly reproduced. Worth noting, the Coolpix
S10 is even equipped with a face recognition system that is
activated with the One-Touch Portrait button, ensuring that
the camera focuses accurately on the subject of the portrait.
Still, under relatively low light, and even with the help
of the AF Assist lamp, the Coolpix S10's autofocus can be
a bit slow, or even have difficulty in focusing.
From 50 to 100 ISO, any noise
recorded in the image is very limited and can only be found
in shadows. At 200 ISO, noise starts to become visible in
areas of solid colour, even when the image is captured under
good light. At 400 and 800 ISO, noise is readily visible,
limiting the usefulness of the higher sensitivities.
Aperture: f4, shutter speed: 1/247 sec., 50 ISO.
With flash photography, the
default settings of the S10 allow the camera to capture reasonably
well-lit images as long as the subject is not too distant.
Boosting the effectiveness of the flash to allow for more
distant subjects to be well-lit, however, is best achieved
by increasing flash exposure compensation, as allowing sensitivity
to increase will lead to noisier photos.
As with some other Nikon compact cameras, the Coolpix S10
only offers a choice of compression level at the highest image
size, when the camera is set to 6M*.
Still, this image quality applies
a compression in the range of 8:1, a compression level that
is traditionally associated with an average compression,
designed to offer a compromise between image quality and file
size. While that level of compression engenders a slight loss
in the finer details of images, it still retains a reasonably
good overall sharpness, and avoids the loss of colour nuances.
Nevertheless, it is regrettable that the image quality choices
that used to be a standard on older Nikon cameras are no longer
offered.
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