Very easy to use, the Coolpix
L2 is a good first point and shoot digital, and a good introduction
to digital photography. Once the batteries are inserted, the
camera is instantly ready to shoot as it has 23MB of internal
memory.
Furthermore, the external controls are easy to figure out,
and even the menu options are simple to master, offering only
the possibility of adjusting the white balance, or of compensating
the exposure should the subject the camera is capturing turn
out a bit too bright or too dark.
Aside from these adjustments, however,
the only other options offered will capture the image with a
different colour hue such as black and white, sepia, or cyanotype,
which produces an image with a blue tint, or increased colour
saturation.
The Coolpix L2 is designed
to operate automatically, but it appears that Nikon has given
it strict parameters that ensure the image quality is not
compromised by noise. Although the sensitivity of the CCD
is regulated by the camera, its range extends from only from
50 to 200 ISO, avoiding sensitivities that would lead to noisy
images. Moreover, the camera tends to stick steadfastly to
the lower part of its range — usually at 50 or below
100 ISO — to avoid noise, even if the shutter speed
drops to a level where camera shake can become a problem.
Aperture: f3.6, shutter speed: 1/44 sec., 50 ISO.
The downside to this otherwise
laudable design is that the camera often displays a camera-shake
warning, or indicates post-capture that the image is blurred,
offering a choice of keeping the image, or deleting it. And
moreover, as the blur warning system is only partially effective,
blurred images can still be captured without the user being
aware of it, in part due to the low resolution (86,000 pixels)
of the 2-inch LCD monitor which has a limited capability to
show detail unless the image is magnified.
In addition, the L2 has a
zoom lens that is not especially fast at the telephoto end.
While at the wide angle end the maximum aperture is a reasonably
bright f3.2, at the telephoto end the maximum aperture available
to the camera is only f5.3, which demands more light.
The upshot is that when shooting with the zoom at full magnification,
and in combination with the L2's tendency to use low ISO settings,
an image blurred by camera shake is possible unless the subject
is brightly lit, or the camera is very stable.
On the positive side, however,
the lens yields images that are sharp from edge to edge, and
which show no sign of either distortion anywhere throughout
the focal length range, or reveal any chromatic aberration.
The other areas where the Coolpix L2 stands out are with
the quality of metering, the absence of noise in the images,
and a compression that, while being comparatively strong,
still retains details.
As with a number of other
Nikon models, the L2's very precise metering system makes
it possible to capture excellent exposures that take high
and low light areas into account. Moreover, with the camera
maintaining the CCD sensitivity as close to the minimum as
possible, images are generally completely noise-free.
With the L2, all images are recorded using JPEG compression,
and it is only when the 6-megapixel image size is used that
the compression level can be selected.
Aperture: f3.6, shutter speed: 1/80 sec, 50 ISO.
Aperture: f5.3, shutter speed: 1/90 sec., 50 ISO.
The High setting,
indicated in the image size selection with a star (),
provides the best image quality. Interestingly, while the
images are compressed at a ratio of 7 to 8:1, aside from a
slight bit of marbling in areas of blue sky, photos retain
a very good level of detail, a level that is comparable to
what is produced at lower compression ratios. Furthermore,
Images captured using the alternative compression level of
Normal, turn out to be quite acceptable and effectively
artefact-free even though the compression is in the 17:1 range.
Used to capture subjects indoors,
the performance of the Coolpix L2 is not as good as when photographing
outdoor subjects. The auto focus can have trouble attaining
focus under standard illumination levels, and often requires
being presented with a clearly defined contrast zone such
as the hard vertical edge of a piece of furniture to focus.
In addition, unless exposure compensation is used, the combination
of a small and somewhat anaemic flash and the L2's preference
for low ISO values tends to yield fairly dark images as soon
as the subject is more than 2m (6 ft) away.
Still, in its intended role
as a simple to use entry-level camera, the Coolpix L2 should
satisfy the requirements of many users. This is a camera that
is particularly adept when subjects are well-lit by outdoor
light, or when the flash is used to add extra light. Moreover,
it produces images that are noise-free and sharp, making them
ideal for printing.
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