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The Olympus C-5050 Zoom has been much anticipated. One of two 5-megapixel compact cameras Olympus announced in the Fall of 2002, it is the first C-series camera to offer a triple memory format compatibility.

Although the camera retains some elements from some of the previous C-series camera designs, such as can be seen in the C-4040 and C-4000, it adds a number of external controls and some new important capabilities.



Aperture: f4, shutter speed 1/50 sec.


Aperture: f4, shutter speed 1/200 sec.
Because the C-5050 provides for both simple and advanced operation, the camera is suitable for both advanced and novice users. Beginners should not let the camera's advanced functions intimidate them as the C-5050 offers an excellent Full Program mode. But, because the C-5050 offers more advanced modes, it allows for experimentation as individual interest and experience increases.
For the advanced photographers, the C-5050 provides all the shooting modes and flexibility that is expected of a high-end compact. Moreover, not only does the C-5050 offer numerous image adjustments and controls such as contrast, saturation and colour balance, it is also capable of recording photos in a wide variety of formats and sizes — more sizes and formats than most cameras can — and has a 3:2 format which is ideal for 4 x 6, 5 x 7 and 8 x 10 prints.

Aperture: f2.6, shutter speed 1/160 sec.
In fact, the wide variety of settings available and the effect that selecting one can have on another, can be occasionally confusing at first, even to those well-versed in the use of digital cameras. Still, by providing such a "complete" camera and by giving the user so much latitude, it almost ensures that the C-5050 won't be outdated quickly.


Aperture: f4, shutter speed 1/320.
When it comes to taking photos, the C-5050 has the advantage of a bright and sharp lens, which yields an excellent image quality. Colours are precise, and the Digital ESP metering system is almost foolproof.

With the C-5050Z, Olympus has added a RAW file format to a C-series camera similar to the RAW format available with the E-10 and E-20 models. The format records the "raw" output of the CCD and the camera's settings for that image, but without applying them to the image. The RAW image is unprocessed.
At this time, the advantage offered by the RAW mode is not fully supported by the software — including the Photoshop Plug-in that can be downloaded from Olympus America's site — which tends to lessen the usefulness of the format.

Nevertheless, the C-5050 makes it possible to edit the images directly on the camera — a good idea — albeit through a somewhat cumbersome process. For example, an image captured with an incorrect white balance setting can be corrected flawlessly, and other corrections can be applied as well.


Aperture: f8, shutter speed 1/60.
In addition, the camera's built-in editing functions are able to save a copy of the edited image in either TIFF or JPEG which retains the camera's Exif metadata, something the bundled software only does partially.


Aperture: f1.8, shutter speed 1/25.
Besides this, three other elements of the C-5050 could be improved. First, the camera is a touch slow to react to the shutter release, and we felt this latency to be slightly longer than with other Olympus cameras models.

Second, the clip-on lens cap is designed to clip on the lens barrel as opposed to the lens itself, and should it be left in place when it is turned on, causes the lens to strain against it.
Third, although the C-5050 is equipped with an autofocus point that can be moved to another location than the centre, the process involved is a bit too complicated to make is really practical.

Notwithstanding these three points, none of these can be regarded as serious impediments once the camera becomes familiar. And, when the image quality of the C-5050 is considered, these concerns tend to fade away altogether.







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