The Olympus Evolt E-520 has a
10 megapixel Four Thirds CMOS sensor. The sensor is slightly smaller than
a frame of 35 millimeter film. Its diagonal measure is about 21.6mm compared
to 36mm for a frame of film.
For image processing, the unit uses Olympus's TruePic III Image Processor.
Start-up time for the E-520 averaged 1.2 seconds. In single-shot mode,
flash and non-flash images could be captured as fast as the shutter button
could be depressed up to a certain number of shots. Shooting at highest
quality JPEG, about six pictures could be snapped before the camera stopped
to catch its breath. With RAW files, about four images could be captured
before the unit paused.
Olympus offers seven image sizes with the E-520. The sizes are grouped
into Large (3648 x 2736), Medium (3200 x 2400, 2560 x 1920 and 1600 x
1200) and Small (1280 x 980, 1024 x 768 and 640 x 480). Each size has
four compression levels--Superfine, Fine, Normal and Basic. While I'm
a more-is-better kind of guy, the glut of image and quality combinations
stuffed into this camera seems to gratuitously add complexity to its operation.
Olympus Evolt
E-520
Image Size
(pixels)
Quality
MP
File Size
(MP)
Ratio/1
3648
x
2736
Large/Superfine
10.0
5.5
0.0
3648
x
2736
Large/Fine
10.0
4.0
2.5
3648
x
2736
Large/Normal
10.0
1.8
5.4
3648
x
2736
Large/Basic
10.0
1.3
7.9
3200
x
2400
Medium/Superfine
7.7
4.4
1.8
3200
x
2400
Medium/Fine
7.7
3.3
2.3
3200
x
2400
Medium/Normal
7.7
1.4
5.3
3200
x
2400
Medium/Basic
7.7
1.0
7.8
2560
x
1920
Medium/Superfine
4.9
3.0
1.6
2560
x
1920
Medium/Fine
4.9
1.8
2.7
2560
x
1920
Medium/
4.9
1.0
5.1
2560
x
1920
Medium/Basic
4.9
0.7
7.5
1600
x
1200
Medium/Superfine
1.9
1.1
1.7
1600
x
1200
Medium/Fine
1.9
0.7
2.6
1600
x
1200
Medium/Normal
1.9
0.4
5.5
1600
x
1200
Medium/Basic
1.9
0.3
6.5
1280
x
980
Small/Superfine
1.3
0.7
1.7
1280
x
980
Small/Fine
1.3
0.4
2.8
1280
x
980
Small/Normal
1.3
0.2
5.5
1280
x
980
Small/Basic
1.3
0.2
6.2
1024
x
768
Small/Superfine
0.8
0.4
2.1
1024
x
768
Small/Fine
0.8
0.3
2.5
1024
x
768
Small/Normal
0.8
0.2
5.0
1024
x
768
Small/Basic
0.8
0.1
6.3
640
x
480
Small/Superfine
0.3
1.1
0.3
640
x
480
Small/Fine
0.3
0.7
0.4
640
x
480
Small/Normal
0.3
0.4
0.9
640
x
480
Small/Basic
0.3
0.3
1.0
RAW
3648
x
2736
10.0
8.8
1.1
Two file formats are supported
by this Olympus model: JPEG and RAW. RAW files are in the company's proprietary
format, ORF. RAW files are slightly smaller than the maximum number of
megapixels supported by the sensor. In our compression calculations (see
compression table above), the compression ratio for RAW files was 1.1:1.
Ratios for JPEG files varied. For Large Superfine files
ratios ranged from 1.8:1 to 7.9:1; for 3200 x 2400 Medium files, 1.8:1
to 7.8:1; for 2560 x 1920 Medium files, 1.6:1 to 7.5:1; for 1600 x 1200
Medium files, 1.7:1 to 6.5:1; for 1280 x 980 Small files1.7:1 to 6.2:1;
for 1024 x 768 Small files, 2.1:1 to 6.3:1; and for 640 x 480 Small files,
0.3:1 to 1:1.
Both xD and CompactFlash cards can be used by the E-520.
One advantage of using xD cards with the camera is they support the unit's
panorama feature, while CompactFlash cards do not. A one gigabyte xD card
can hold 91 RAW shots; 147-687 Large images; 187-3198 Medium pictures
and 1230-12,793 Small snaps.
Although the E-520 can't
capture video, it can display images in the camera on a TV via a video
cable included with the unit.
The camera's LCD can be used to display information about
the unit's settings, access its menu system, review images captured by
the DSC and, through its Live View function, as an alternative to the
viewfinder for framing and shooting pictures.
Activating Live View is quick and simple. You press the
Live View button beside the LCD and whatever you're pointing the camera
at appears on the display. Focusing in Live View can be achieved by pressing
the AEL/AFL control on the right side of the viewfinder or partially depressing
the shutter button.
When you're in Live View, you can make changes to the settings
for a shot either through the Arrow Pad or Super Control Panel and the
image on the display will reflect the effects of those changes.
The Super Control Panel
can be viewed on the LCD by pressing the INFO button or partially depressing
the shutter button. By pressing OK while the panel is displayed, you can
change the following settings on the fly.
· ISO
· Flash mode
· Flash intensity
· White Balance
· White Balance compensation
· Sequential shooting mode
· Auto Focusing mode
· Auto Focusing area
· Metering method
· Picture size and quality ·
Picture mode · Picture sharpness · Picture contrast
· Picture saturation · Picture gradation ·
Color space · Face detection--on or off.
In addition
to letting you change settings, the panel also displays important information
about the camera's status such as shooting mode, shutter speed, aperture,
exposure compensation, date, battery level and shots remaining.
The Super Control Panel is a fast way to change the settings for a
shot and a useful alternative to the monochrome LCDs used to display
shooting information on some cameras.
When framing pictures in the viewfinder, you don't have to refer to
the LCD to see shooting information. Here's what's available in the
viewfinder.
· Aperture
· Shutter speed
· AF confirmation
· Flash status
· White Balance setting
· AEL status
· Exposure compensation value
· Metering mode
· Battery level
· Shooting mode
Light sensitivity settings for the E-520 range from ISO 100-1600 and can be
adjusted through the Super Control Panel, Arrow Pad or menu system. In
Auto ISO mode, the camera will chose an appropriate light sensitivity
setting for a shot, but the upper limit for that mode can be customized.
That's a way to avoid taking shots at higher ISO values. More noise tends
to be introduced into photos shot at higher ISOs.
Zuiko ED Digital lenses
are the native glass for the E-520. The lenses included with our review
unit were very compact, especially the 40-150mm (80-300mm equivalent),
which was slightly less than four inches long.
The Four Thirds mount also has some advantages. For instance,
with some lens systems, moving between auto and manual focus requires
flipping a switch on the lens. With these Zuiko lenses, that kind of switching
can be performed directly from camera menus.
In addition to manual focusing, the E-520 has four other focusing
modes. There's a single mode (S-AF) for shots where the subject is still
and a continuous mode (C-AF) for focusing on moving objects. Single and
continuous modes can also be combined with manual focusing to fine tune
a shot. When the auto focusing system has difficulty zeroing in on a subject,
the unit's flash can be used as a focus assist light to help it out. Overall,
the focusing system is relatively fast, but in challenging lighting conditions
it can by annoyingly slow.
Focusing is obtained by
partially depressing the shutter button or the AEL/AFL control. What the
AEL/AFL button does can be programmed through the menu system. For example,
in S-AF mode the button can be programmed to lock exposure or focus or
both.
When faces are in a shot, the unit has a Face Detection
mode for automatically obtaining the best focus and exposure for the mug
in the frame.
The E-520 offers five metering modes.
Digital ESP mode measures the light levels in 49 areas of a frame and
uses that information to obtain the best overall exposure for the shot.
Center Weighed Averaging mode sets the exposure of shot based on average
readings between the subject and its background. Then there are three
spot metering modes. Hi Spot mode limits metering to a small area of the
frame. It's handy when a subject is being photographed against a bright
background. HI Spot adjusts the exposure to insure that whites in the
subject aren't turned gray by a bright background. SH Spot mode will underexpose
a frame with a dark background to prevent blacks in a shot from turning
gray.
Exposure compensation
can be used to manually under- or over-expose a shot. With this feature,
the exposure of a shot can be altered by ±5 stops in 1, 1/3 or
1/2 increments.
The exposure of a shot can be bracketed automatically. In Exposure
Bracketing mode, three shots at three exposures--normal, under exposed
and over exposed--can be captured by keeping the shutter button depressed.
The spread for the bracket--the number of stops to over expose and under
expose the shot--can be customized with the menu system.
In Auto mode, exposure values are chosen automatically. They're also
chosen automatically when the camera is in a pre-set shooting or scene
mode.
Pre-set shooting modes can be chosen directly from the Mode dial. Those modes
are portrait, landscape, macro, sport and night portrait.
Scene modes can be accessed by turning the Mode dial to SCENE and choosing
a mode. Here are the modes available from SCENE.
· Portrait
· Landscape
· Landscape-Portrait
· Night Scene
· Night-Portrait
· Children
· Sport
· High Key
· Low Key
· Dis Mode
Two sequential shooting modes
are offered by the E-520, as well as two self-timer and two remote modes.
In single frame mode, the camera will capture an image each time the shutter
button is pressed. In continuous mode, the unit will shoot at 3.5 frames
per second at highest JPEG quality until a memory card is full. For RAW
files, the rate is about 3fps up to seven shots. Self-timer modes include
one with a two-second delay and one with a 12-second delay. When using
an optional remote control with the camera, the unit can be set to fire
immediately, after a two-second delay or for as long the remote button
is depressed, also known as Bulb mode.
Shutter speeds for the
unit range from 1/4000 to 60 seconds, as well as the aforementioned Bulb
mode.
White Balance settings can be altered through the menu system, with
the Arrow Pad or from the Super Control Panel. In Auto mode, the camera
will choose the WB setting it thinks best meets a scene. You can also
choose a pre-set WB setting based on lighting conditions--daylight,
cloudy day, fluorescent or tungsten lighting or flash. In addition,
you can choose WB based on temperature or customize it based on a white
object in the shot.
Just as an image's exposure
can be bracketed, White Blance can be bracketed, too. One shot in the
bracket will be at the WB setting for the shot; another with colors shifted
in the amber-blue range; and a third in the green-magenta range. Colors
in those ranges can be shifted three steps in either direction.
The E-520 has a pop-up flash
and a hotshoe for external flash support. The pop-up flash will automatically
activate in Auto mode. It can be activated manually by pressing a button
at the left side of the viewfinder. If the flash is set to "off,"
it will not fire automatically. When manually activated, the flash can
be used as a fill light for removing shadows in a brightly lit subject.
By default, the camera will choose the shutter speed for
the flash. That can be overridden through the menu system and the shutter
speed set to any setting between 1/60-1/180 second in 1/3 increments.
You can also choose the slowest speed used by the flash within the same
parameters.
For countering the demonic effects of “red-eye," the flash
has a red-eye reduction mode.
Two slow synchronization modes are supported by the flash. Slow synchronization
allows you to capture more detail in a shot by using a slower shutter
speed. By default, the camera will fire the flash after the shutter
is fully open. However, the DSC has "second curtain" mode
that fires the flash just before the shutter closes. This mode can be
used to create interesting effects at night.
Flash photos can be bracketed, too. With bracketing activated, the
camera will shoot three images--one at a base setting, one with more
light and one with less light. The light intensity at either end of
the bracket can be set through the menu system.
Battery life for the E-520's rechargeable lithium ion power supply
(PS-BLM1) was very good. After two weeks of every day shooting, the
battery was still going strong when it was time to return my review
unit to Olympus.
Standards supported by
the E-520 are Print Image Matching III, DPOF, EXIF 2.2, PictBridge, PAL
and NTSC.