megapixel.net logo

Digital Camera News and Reviews

Megapixel.net Partners
Be a Megapixel Partner



internet.commerce
Be a Commerce Partner


















Panasonic DMC-FX30

Reviewed July 2007

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion

The Panasonic Lumix FX series has a new addition, the DMC-FX30, an extremely compact model that is equipped with the Venus III processor.

The top of the camera supports the power switch and the 2-stage shutter release, surrounded by the zoom control. Moreover, as is almost the norm, the zoom control, when pushed to the W (wide) side, also serves to review captured photos as index screens , first with 9 thumbnails per screen, then with 25 thumbnails per screen, then in a calendar format with the days on which photos were captured highlighted by a thumbnail of the first image captured on that day. Pulling the zoom control to the T (telephoto) side serves to zoom into a photo under review up to 8X.

All the way on the right, the mode dial is embedded into the upper right of the camera's back with its edge sticking out so that it can be turned easily with the thumb. The mode dial has eight positions, six of which are capture modes, still image or movie. When the dial is turned, a virtual dial appears on the monitor, rotating simultaneously as the mode dial is turned, making it possible to keep looking at the monitor while turning the dial.

The first position of the dial is the access to the 21 Scene modes of the FX30. Scene modes are presented on a single screen, using icons. Highlighting any of the icons displays the name of the mode below the icons, and pressing the DISPLAY button (see further) while any mode is highlighted presents a short text description of the mode for 2 seconds.

  • Portrait
  • Soft Skin
  • Self Portrait
  • Scenery
  • Sports
  • Night Portrait
  • Night Scenery
  • Food
  • Party
  • Candle Light
  • Baby 1
  • Baby 2
  • Pet
  • Sunset
  • High Sensitivity
  • Starry Sky
  • Fireworks
  • Beach
  • Snow
  • Aerial Photo
  • Underwater
Simple mode handles all photographic decisions, allowing the user to simply press the shutter release. Still, when the subject is backlit, the flash can be used to provide fill-light, and a 10-second self-timer is also available.
The Playback mode serves to review photos and movies captured with the camera, and has its own menu (see the Characteristics section of the review).
Intelligent ISO mode uses the technology of the Venus III processor to increase sensitivity according to the subject's movement and the focal length in use so as to avoid camera shake. The upper limit of the ISO sensitivity increase can be specified in the menu (see the Characteristics section of the review for a description of all the functions contained in the menus).
Normal mode is the equivalent of the Program AE mode found on other cameras. The shutter speed and aperture are selected by the FX30, but the user has control over all other settings such as ISO, white balance, etc.
Although it behaves like the Normal mode, the Macro mode allows the camera to focus on a subject that is 5 cm (2 inches) away when the zoom is set to the wide angle end, and 30 cm (1 ft) away at the telephoto end.

Motion Picture mode offers movie recording using either one of two aspect ratios:

  • 4:3 (standard television) captures movies with either a VGA format (640 x 480 pixels) or QVGA (320 x 240 pixels) at either 30 or 10 frames per second.
  • 16:9 (HDTV) captures a frame size of 848 x 480 pixels at either 30 or 10 frames per second.

During the recordings, the zoom position and aperture are fixed at the first frame. Optical stabilization only operates in mode 1 (continuous). If the internal memory is used, the recording is limited to QVGA at 10 frames per second. Irrespective of the capacity of the memory card used, the maximum recording is limited to 2 GB.

Print serves to print images when the DMC-FX30 is connected directly to a PictBridge compliant printer. Once the connection between the camera and the printer is established, a menu is displayed on the monitor that serves to select the images to print, the print size, the page layout, the number of copies to make of any particular image, and decide whether or not the date and time an image was captured should be superimposed on the printed image.

All the other external controls of the FX30 are grouped on the right side of the 2.5-inch monitor, composed of 207,000 pixels.

Four arced buttons make up the 4-direction control. These serve to navigate the menus and review images when the camera is set to the playback mode. At the centre, a button labelledMENU/SET serves to call up the menus, and confirm selections. In addition, each of the four direction buttons supports a function when the camera is set to a capture mode:

The up arrow serves to adjust up to 3 settings, depending on the camera's mode:

 
  • Exposure compensation over a range of ±2 EV in 1/3 EV increments.
  • Exposure Bracketing over a range of ± 1 EV in 1/3 EV steps.
  • White Balance Adjustment when the white balance is set to a setting other than Auto, making it possible to adjust the colour tone towards red or blue in 10 steps.

Set to the Simple mode, the button activates the flash in Auto with Red-eye Reduction mode, or Forced On.

The right arrow button controls the Flash Modes: Auto, Auto with Red-eye Reduction, Forced On, Forced On with Red-eye Reduction, Slow Synch with Red-eye Reduction, or Forced Off.

REV

The down arrow starts the Review Mode, which displays the last captured image for 10 seconds, a period of time during which the image can be deleted, or zoomed to 4X then 8X. The mode does not offer access to the Playback menu.

The left arrow controls the Self-timer, offering a 10-second or 2-second delay, except in the Simple Mode, when the self-timer is limited to 10 seconds.

Two other buttons are aligned below the 4-direction control, completing the external controls of the FX30. On the right the DISPLAY button has a dual function, depending on how long it is pressed: it controls the information superimposed on the monitor, and if pressed longer, it accesses the LCD MODE.

LCD mode displays three options on the monitor:
  • Off, the default, is the default brightness level.
  • Power LCD increases the monitor's brightness so it can be seen better outdoors.
  • High Angle increases the brightness further, and is designed to make the monitor visible to the user when the camera is held overhead, as when shooting above people's heads in a crowd.
Pressing the DISPLAY button briefly controls the quantity of information superimposed on the image.

In the capture modes the most critical camera settings are organized on the periphery of the image, the shutter speed and aperture appearing at the lower part of the screen when the shutter release is pressed halfway. A histogram can first be added, then a composition grid, then all the settings information can be removed.

Set to the playback mode, only a few details about the image are displayed by default. A first press of the DISPLAY button adds the image's histogram, while a second press of the button clears all superimposed information off the image.

The button on the right also offers two functions:

FUNC

In the capture modes, the button displays a menu referred to as the Quick Setting menu at the top of the monitor that contains the most important settings, allowing them to be modified quickly. The number of options displayed varies according to the capture mode, and the Simple mode has no Quick Setting menu. When all options are available, the following can be controlled:

  • MEGA OIS Optical Image Stabilizer:
    • OFF: turns off the image stabilizer, necessary when the camera is mounted on a tripod and the system can cause an interference.
    • Mode 1: stabilizes the image continuously, both during preview and capture.
    • Mode 2: stabilizes the image only at the precise moment of capture, providing both a higher degree of stabilization, and a lower level of energy consumption.
 
  • Drive Mode:
    • OFF: captures one image at a time.
    • High Speed captures 5 images, at the highest JPEG image quality and resolution, at 3 frames per second.
    • captures 5 images, at the highest JPEG image quality and resolution, at 2 frames per second.
    • Unlimited captures JPEG images at 2 frames per second for as long as there is space on the memory card.
 
  • White Balance: Auto, Daylight, Cloudy, Shade, Incandescent or Custom (established under ambient light using a white surface)
  • ISO Sensitivity: Auto, 100, 200, 400, 800 or 1250 ISO. When the camera is set to Intelligent ISO this option serves to set the maximum sensitivity the camera can use (400, 800 or 1250 ISO).
  • Image Aspect Ratio: 4:3, 3:2 or 16:9.
  • Image Size: see the Characteristics section of the review for a list of the image sizes available.
  • Image Quality selects the compression level: Low or Standard.
While when the camera is set to the playback mode, it serves to delete unwanted images either one at a time, or those that have been selected in an index view.

The FX30 fits well into the series of very compact cameras that have contributed to the success Panasonic has had with its Lumix line. Indeed, although quite small, the DMC-FX30 has an excellent ergonomic design and responds instantly to its controls and the large monitor makes it easy and comfortable to frame and review shots. The only drawback is with the position of the mode dial. While it is practical when the camera is in hand, the dial is easily turned when the camera is slipped into a pouch, making it necessary to check the setting when the camera is taken out.

Compare Prices for
Panasonic dmc-fx30 Battery (1000 mAh)
StoreSeller RatingsDescriptionPrice
BargainBasementin stock$9.00
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion



Search:

WebMediaBrands Corporate Info

Legal Notices, Licensing, Reprints, Permissions, Privacy Policy.
Advertise | Newsletters | Shopping | E-mail Offers