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Panasonic DMC-FZ10

Reviewed March 2004

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion
When Panasonic introduced the DMC-FZ1 last year, with its excellent 12X Leica stabilized zoom, it met with a number of favourable reviews. However, the FZ1 only had a 2 megapixel resolution, and in a world where 3 and 4 megapixel cameras are now entry-level, it was obvious that a higher resolution version was necessary. So, here is the DMC-FZ10, first unveiled at the end of 2003.
The DMC-FZ10 has a comfortable grip with a rubber surface and a flat top, unlike many current designs that angle the top of the grip towards the front of the camera so the shutter release will be more naturally positioned under the index.

In part, the FZ10 continues some of features and controls of the FZ1.
Four controls occupy the area above the grip: the Mode Dial, the Shutter Release with the Zoom control around it, and a small button to select the Single or Burst Modes.

The shutter release is 2-stage, locking the exposure parameters and the auto focus when held halfway; while the zoom control also serves in Playback, magnifying an image when pushed to the T side (up to 16X), and presenting a screen of 9 thumbnails when pushed towards the W side.
Burst modes are selected with a small button behind the shutter release. The two burst modes of the FZ10 provide similar capabilities as those of the FZ1, but add an extra frame to the bursts at the highest image quality:

Burst L captures 2 frames per second for up to 5 frames at the best image quality, and up to 7 frames with the highest compression.
Burst H captures 4 frames per second or up to 5 frames at the best image quality, and up to 7 frames with the highest compression.

Likewise, the Mode Dial retains Scene modes from the FZ1, but replaces the "Simple" and "Auto" modes of the FZ1 with more advanced and versatile modes:

Program Mode: lets the camera control both aperture and shutter speed, while leaving the user in full control over all other settings. Moreover, with a press of the Exposure button (see further), the FZ10 provides for Program shift, allowing the user to select alternative combinations of apertures and shutter speeds.
  A/S/M is the access to the Aperture or Shutter Priority, and the Manual mode. The selection of the specific mode is made in the menu.
  Aperture Priority: provides control over the aperture from f2.8 to f8 in 10 steps while the FZ10 sets a matching shutter speed.
  Shutter Priority: provides shutter speeds ranging from 1/2000 to 8 seconds while the camera matches an aperture to the selection.
  Manual Mode: offers control over the aperture — f2.8 to f8 — and a shutter speed range that covers from 1/2000 sec to 8 seconds at f8.
The other modes on the dial are carried over from the FZ1:

Macro Mode: offers the same possibilities as the Normal mode, but allows the camera to come as close as 5 cm (1.95 inch) to a subject when the lens is set to wide angle. Portrait Mode: uses a wide aperture to soften the background while maintaining the subject in sharp focus.
Sports Mode: gives preference to a fast shutter speed to capture movement. Panning Mode: allows tracking a subject with a slow shutter speed that will cause the background to blur. In this mode the stabilizer only compensates for vertical jitter.
Night Portrait Mode: uses a slow shutter speed and flash to capture both foreground and background at night. (When the flash is opened in this mode it is forced to Slow Sync with Red-eye Reduction.) Motion Images Mode: captures a video with a 320 x 240 frame size with sound. Focus, zoom, white balance, and aperture are locked at the first frame. Recordings last as long as there is space on the memory card.

Last is the Playback mode, identified by the standard symbol: .
The FZ10 is equipped with an electronic viewfinder with 114,000 pixels. A diopter correction is provided on the right side of the viewfinder's exit pupil, and the viewfinder's eyecup is made of hard plastic, not rubber.

Either the EVF, or a 2 inch LCD monitor with 130,000 pixels, can used to frame images. The selection of either is made with a dedicated button [EVF/LCD] next to the viewfinder; while above it a round button serves to release the pop-up flash.
On the opposite side from the viewfinder, the FZ10 has its power switch, and 2 other elongated buttons. EXPOSURE serves to switch the 4 direction control from its default alternate functions (exposure compensation, self-timer, flash modes, review) to a control for aperture and shutter speed when the A/S/M modes are used; while in the Program mode, it allows using the 4-direction control to select alternate combinations of aperture and shutter speed.
  The other button, DISPLAY, controls the amount of information overlaid on the screen, be it the EVF or the LCD monitor.

By default, the FZ10 overlays the most pertinent camera settings on the image. Pressing the Display button once, adds a real-time histogram, indicating the distribution of brightness in the frame. A second press of the Display button replaces the overlay by a grid to help composition. A third press of the Display button clears the screen entirely with the exception of the AF brackets. Finally a fourth press of the Display button returns the screen to its default.
Two other buttons and the 4-direction controller are positioned on the right of the monitor. The MENU button displays the FZ10's menu, according to the mode in use. The button is to delete one or more pictures.

As mentioned above, the 4-direction control provides additional functions beyond navigation of the menus, and of images in the Playback mode:

The up arrow has 4 additional functions, each accessed in turn:

  • Exposure Compensation is available over ±2EV in 1/3 EV increments.
  • Auto Bracketing Bracketing can be done over 3 frames and ±1EV in 1/3 EV increments.
  • White Balance compensation allows adjusting colour tone towards blue or red over ±5 increments.
  • Flash compensation makes it possible to compensate flash exposures over EV in 1/3 EV steps.
The right arrow controls the Flash Modes (the flash must be open for the function to work). The modes available are Auto, Auto with Red-eye Reduction, Forced On, and Slow Sync with Red-eye Reduction. Forced off is selected by leaving the flash closed.
The down arrow of the controller has 2 extra functions. First, it turns on Instant Review, which allows a quick look at the last captured photo for up to 10 seconds. Moreover, the image can be magnified for a closer look (8X), or deleted, if need be.

As a secondary function, the down arrow also serves to confirm specific actions in the menus.
The left arrow turns on the Self Timer. Two delays are available, 2 seconds, or 10 seconds.
The last external control on the FZ10 is the Auto focus/Manual focus switch, located on the left side of the lens barrel.

In Manual focus, the focus is adjusted with a large ring — an electronic control — and the central portion of the image is magnified on the monitor, or the EVF. Although no distance indications are shown on-screen, the system works extremely well and is very precise.
The FZ10 includes a large hood as part of its kit. The hood is screwed onto the front of the lens barrel once its metal trim has been unscrewed.

The lens hood is very effective outdoors, but has to be removed for flash shots to avoid it blocking some of the flash's light, and causing a shadow to appear in the lower part of the image.
Although the design of the FZ10 is generally similar to the FZ1, some improvements have been made to the controls. With the FZ10 the EVF and monitor are controlled with a dedicated button, and DISPLAY provides enhanced functions; functions that had all been combined on the FZ1.
Compare Prices for
Panasonic Lumix DMC-FZ28S 10.1MP digital camera - Silver
StoreSeller RatingsDescriptionPrice
BEACHCAMERA.comin stock$321.99
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion



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