The design of Panasonic's FZ
series cameras has remained very consistent over the last
few years, and so has their user interface, albeit with minor
additions and deletions. Indeed while some manufacturers feel
a need to re-invent their interface, Panasonic seems to heed
the adage that "if isn't broken, don't fix it".
As a result, the FZ18 is an easy camera for existing Panasonic
owners to upgrade to since its operation and even the way
its menus are presented will be familiar.
During capture, the default presentation of information about
the camera's current settings are superimposed on the image
coming from the lens, and to further improve legibility, some
of the information is presented on a partly transparent gray
background. Menus are presented over bright coloured background
that serve to enhance their visibility and make the particular
menu instantly recognizable. The FZ18 also offers the Quick
Settings menu, a short menu of the most commonly accessed
settings that is called up simply by pressing, and holding,
the joystick.
The use of both a sharp EVF and LCD monitor goes a long way
into making the interface easy to read, and use. As do thoughtful
touches such as offering the user a choice over whether or
not the camera replicated the movements of the mode dial on
the display and displays the name of the current mode. Indeed,
while that information can be valuable under some conditions
— shooting at night for instance — they also slow
down the operation of the camera, which can occasionally be
a drawback.
The FZ18's menus are organized logically, and menu location
of various settings are easily remembered. Likewise, the most
basic settings of the FZ18 are contained in the Setup
menu, accessed as the last tab in all menus. Worth
noting, however, some options can appear grayed out depending
on whether the camera is set to a capture mode, or the playback
mode:
Clock Set: is to set the internal clock and calendar
of the FZ18.
World Time: allows setting a Home time
and a Destination time.
Cust. Set Mem.(not accessible in
Playback): serves to save current camera settings to
one of the 3 Custom Setting memories.
Monitor/Viewfinder (depending on the display
in use): serves to adjust the brightness of the EVF
or the LCD monitor separately (7 steps).
Guide Line decides what information is
displayed on the monitor:
Rec Info: On or Off.
Histogram: On or Off.
Pattern: grid or diagonal.
Travel Date: allows setting the start date of a
trip, and then recording the date on which photos are taken
during the trip so they can be printed and identified on
the print as from the first day, the second day, the third
day etc.
Play on LCD selects where the image will be displayed
first in playback: the LCD monitor, or on the display that
is currently active.
Auto Review: displays, or not, the image immediately
after capture for a set period of time (1 or 3 sec.), or
zooms the image 4X after presenting it for 1 second to ascertain
sharpness. Note that the setting is disabled when the camera
is set to RAW.
Power Save: sets the time after which the camera
automatically shuts down when it is inactive (1, 2, 5 or
10 minutes, or Off).
Zoom Resume: On or Off. Allows the camera
to store the zoom position in memory and return to it when
powered back on.
MF Assist controls the type of assistance provided
by the camera during Manual Focusing: MF1 enlarges the centre
portion of the image; MF2 enlarges the centre portion of
the image, and fills the monitor with it.
Beep offers three settings to control the volume
of the sounds produced by the FZ18 during operations: Soft,
Loud or Off.
AF Beep sets the volume for the beep
sound produced by the camera when the AF has focused: Soft,
Loud, or Off.
Shutter: sets the volume of the shutter sound produced
by the FZ18, Soft, Loud, or Off.
Volume: serves to adjust the playback volume for
recorded sounds or video clips over 7 levels.
No. Reset: resets the file numbering system of
the camera so that it will restart from 1.
Reset: returns all options to their original factory
settings, but not date/time settings and folder number.
Video Out (Playback mode only): sets the
output video signal to NTSC or PAL.
TV Aspect (Playback mode only): offers
a choice of 4:3 or 16:9 so that the camera adjusts its output
image to the type of television it is connected to.
MF m/ft: decides whether distances are shown in
imperial or metric.
Scene Menu: to select if the Scene menu is shown
automatically (Auto), or not (Off) when the Mode dial is
turned to the SCN position.
Dial Display: On or Off. Decides whether
the virtual dial appears on screen when the Mode Dial is
rotated.
Language selects the interface language: English,
German, French, Italian, Spanish, or Japanese.
A printed manual is part of the DMC-FZ18's kit. The manual
is detailed, well-written, and benefits from good organization
and a detailed table of contents, all of which make it easy
and pleasant to learn the functions of the camera. Panasonic
also provides the manual in PDF format (Adobe Acrobat) that
can be downloaded from a number of the company's many Internet
sites. The PDF manual has the advantage of offering colour
illustrations while the printed manual is only black and white.
Software
In North America, a single CD is bundled with the DMC-FZ18.
The disc contains a number of programs:
Lumix Simple Viewer.
Photo fun Studio Viewer.
QuickTime.
USB Driver.
Acrobat Reader.
ArcSoft which includes:
Media Impressions
Panorama Maker 4.
SilkyPix.
Of these, 3 programs can read and display
the JPEG photos captured with the FZ8, and 1
of these can read RAW images.
Lumix Simple Viewer is, as
its name indicates, simply an image viewer that can display
photos located on the memory card in the camera, or on the
computer's hard disk and show the shooting data.
The program has an arcane system that requires images to
be "registered", one folder at a time before they
can be viewed, at time-consuming process that can be quite
confusing.
Nevertheless, the program can be
used to print photos or attach a selected image to an e-mail
through an e-mail client already on the computer. It is unable
to show RAW images, or edit an image. Still, images can be rotated,
and the program can show the shooting data.
Photo Fun Studio Viewer,
another program from Panasonic, and it can only be run if
Lumix Simple Viewer is not running. It is a slightly more
advanced and more comprehensive viewer and benefits from a
better designed interface. It can present images in an index
view, and can be used to print photos. In addition, it can
be used to adjust brightness, contrast, gamma, hue and saturation.
Furthermore, some effects (sepia, black & white, negative,
etc.) can be applied to images and the altered image can be
saved as a new image.
To process RAW images, Panasonic
includes SilkyPix a program that can be used
to convert RAW images, with or without modifications and adjustments,
to non-proprietary image formats such as TIFF, BMP, or even
JPEG.
Once an image is opened in the program, it can be adjusted
for exposure, white balance, sharpness, tone, colour and noise
reduction.
The program is powerful, comparing
favourably with the RAW import plug-ins of Photoshop CS3,
but its operation is not always intuitive, so users should
expect to spend time exploring its capabilities.
The remaining software supplied with the FZ18 as it is sold
in North America is provided by Arcsoft. Media Impression
1, allows making adjustments and editing JPEG images,
but not Panasonic's proprietary RAW format. The program can
be used to adjust images for brightness, contrast or sharpness,
or used to resize or crop photos, adjust their colour tone,
or eliminate red-eye. Moreover, it can also be used to add
borders or graphics to photos.
The ArcSoft software suite
also includes Panorama Maker 4, a program designed
to create panoramic images by assembling series of overlapping
photos captured with the same exposure parameters.
Although the FZ18 does not offer a Panorama mode, with some
practice the Manual mode can be used instead, maintaining
the exposure parameters so that images can be stitched together
without too great a variation in brightness from frame to
frame.
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