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Panasonic DMC-FZ20

Reviewed October 2004

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion
The Panasonic DMC-FZ20 offers a 5 megapixel resolution and a 12X stabilized Leica zoom. Without a doubt, it would appear that this combination of elements is the primary motivation for many of the review requests we have had for this camera.

Like the DMC-FZ10, the FZ20's predecessor, the camera is available in two finishes, one silver, one black.
The top of the DMC-FZ20 supports a flash shoe, mounted directly behind the pop-up flash. The shoe is compatible with all standard flash units and with Panasonic's DMW-FL28.
The layout of the controls on the DMC-FZ20 is identical to that of the FZ10. The top right side of the camera is occupied by the 2-stage Shutter Release button, the Zoom Control — the ring around the shutter release — the Mode Dial and the Single/Burst Mode button.

In addition to controlling the zoom, in Playback, the zoom control also serves to see 9 thumbnails of the captured images with the W side, or magnify a portion of an image (up to 16X) when pushed to the T side.
To those that were available on the FZ10, Panasonic has added an extra burst mode, No Limit, on the DMC-FZ20:

Burst L captures 2 frames per second for up to 4 frames at the best image quality, and up to 7 frames with the highest compression.
Burst H captures 3 frames per second or up to 4 frames at the best image quality, and up to 7 frames with the highest compression.
No Limit: captures 2 frames per second with no limit on the number of frames.

Similarly, the Mode dial is redesigned, offering separate positions for the Priority Modes and the Manual mode while consolidating the Scene modes into 2 positions that can each be set to a specific scene mode independently.
And, in comparison to the FZ10, the FZ20 provides additional scene modes (see further). However, for the Program, Priority and Manual modes, the FZ20 is unchanged from the FZ10:

Program can either be used to let the camera set the aperture and shutter speed; or when the Exposure button on the back of the camera is pressed, to choose alternate combinations of shutter speeds and apertures that would result in a correct exposure (Program Shift) but which can be either biased towards the shutter speed, or the depth of field by selecting a smaller or larger aperture.
Aperture Priority provides control over the aperture from f2.8 to f8 in 10 steps while the FZ20 sets a matching shutter speed.
Shutter Priority: provides shutter speeds ranging from 1/2000 to 8 seconds while the camera matches an aperture to the selected shutter speed.
Manual Mode offers control over the aperture — f2.8 to f8 — and a shutter speed range that covers from 1/2000 sec to 8 seconds at f8.

The remaining Mode dial positions consist of the Playback mode , the Macro mode and the two Scene mode access points:

Macro allows capturing images with the lens 5 cm (1.95 inches) from the subject when the zoom is set to the widest angle, a focus range which is also available when the camera is set to any of the P/A/S/M modes.

Motion Image Mode captures video with sound at a 320 x 240 frame size and at either one of two frame rates. Zoom, white balance, and aperture are locked at the first frame, while focus can be set at the first frame, or continuous if the option is selected in the menu. Recordings last as long as there is space on the memory card and the frame rate, 30 fps or 10 fps, is selected in the menu.

As noted above, each of the two Scene positions on the Mode dial offer the same modes:

Portrait Mode is intended for daylight use. It uses auto ISO and a wide aperture to soften the background. As always, the use of the zoom is recommended to increase the effect of the wide aperture. Sports Mode is intended for outdoor use and uses auto ISO. This mode gives preference to a fast shutter speed to capture movement, and requires that the subject be at least 5m (16.5 ft) from the camera.
Scenery Mode also has a focus range of 5m (16.5 ft) to infinity. ISO sensitivity is set to auto, the flash is forced to Off, and the AF assist light is also forced Off. Night Scenery Mode forces sensitivity to 100 ISO to minimize noise, forces the flash to Off and uses infinity focus which requires that the subject be more than 5m (16.5 ft) away. The shutter speed is slow (up to 8 seconds) and a tripod is necessary.
Night Portrait Mode uses a slow shutter speed and flash to capture both foreground and background at night.The flash is forced to Slow Sync with red-eye reduction and the sensitivity is set to Auto. Panning Mode is designed to make it easier to capture moving subjects while panning the camera. Sensitivity is forced to 80 ISO, and a slower than normal shutter speed is used. The stabilizer only compensates for vertical jitter. Manual focus is best for this mode.
Fireworks Mode uses a slow shutter speed and flash to capture both foreground and background at night. (When the flash is opened in this mode it is forced to Slow Sync with Red-eye Reduction.) Party Mode is designed to take pictures in a dimly lit room. The mode uses Auto ISO to boost sensitivity as needed, and if opened the flash is set to Forced On with Red-eye reduction.
Snow Mode automatically adjusts exposure (a positive exposure compensation is used) and white balance to record snow faithfully. The ISO sensitivity is set to Auto.    

More controls are positioned on the back of the FZ20, and of these four buttons and one switch are positioned above the 2 inch 130,000 pixel LCD monitor. Starting at the top, the button serves to release the built-in pop-up flash. Below are three elongated buttons:
when pressed once, the button allows selecting apertures or shutter speeds, or both, when the FZ20 is set to one of the priority modes or the manual mode. In addition, it can also be used to shift from the standard Program mode to the Program Shift mode which makes it possible to select alternate combinations of aperture and shutter speed.
controls the quantity of information superimposed on the monitor or EVF's image. By default the FZ20 superimposes the shooting mode, the stabilizer mode, the flash mode, the image size, the image quality, the battery state, the number of shots remaining and the metering mode. In addition, a histogram can be displayed; or composition guidelines; or the image can be shifted to the upper left corner of the screen so that the settings are more legible (out of frame display); or only the AF brackets can be shown.
Selects whether the 2-inch LCD monitor is used or the electronic viewfinder (EVF).

The FZ20 is equipped with an electronic viewfinder with 114,000 pixels, and a diopter correction is embedded on the left side of the viewfinder's exit pupil. Although not as detailed as some other EVFs, it yields a picture that is detailed enough for most subjects.
Three more controls are arranged in a semi-circle on the right of the monitor. At the top is the MENU button, and pressing it displays the menu that is appropriate to the mode that is currently set on the Mode Dial.

At the bottom is the Delete button, which serves to erase one or more pictures when the camera is in playback mode. Or, in the recording modes, it can be used to erase images if the Auto Review option in the Setup menu is turned on.
The Cursor buttons are grouped as a single large control that provides functions above and beyond navigation for the menus. Starting at the top, in the recording modes the up arrow serves for:
Exposure Compensation over ±2EV in 1/3 EV increments.

Auto Bracketing over 3 frames and ±1EV in 1/3 EV increments.

White Balance compensation to tweak colour tone towards blue or red over ±5 increments.

Flash compensation to compensate flash exposures over 2 EV in 1/3 EV steps.
The right arrow selects Flash Modes: Auto, Auto with Red-eye Reduction, Forced On, and Slow Sync with Red-eye Reduction. Forced off is assumed when the flash is closed.
The down arrow starts the Instant Review mode which displays the last captured photo for up to 10 seconds. Moreover, the image can be magnified up to 8X, or deleted.

Worth noting, the Review mode does not replace the Playback mode, and does not allow access to the Playback menu.
Finally the left arrow turns on the Self Timer which can have one of two delays: 2 seconds, or 10 seconds.
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion





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