Equipped with a 1/2.5-inch CCD
composed of 7.38 million pixels of which 7.2 million are effective,
the DMC-FZ8 can capture images at a variety of image sizes
and aspect ratios:
4:3 Aspect
Ratio
3:2 Aspect
Ratio
16:9
Aspect Ratio
7M:
3072 x 2304 5M EZ: 2560 x 1920 3M EZ: 2048 × 1536 2M EZ: 1600 × 1200 1M EZ: 1280 × 960 0.3M EZ: 640 x 480
6M :
3072 × 2048 2.5M EZ: 2048 × 1360
5.5M:
3072 × 1728 2M EZ: 1920 × 1080
Images can be saved at either one of two JPEG
compression levels, each identified by a graphic:
The least compressed image quality, uses a compression
that ranges from 6:1 to more than 8:1, depending on the
subject.
The most compressed image quality, using a compression
that ranges from 12:1 to 18:1.
In addition, the FZ8 also offers a RAW image
format that records the output of the CCD at the largest image
size of all three aspect ratios. The image can then be processed
later using the software supplied with the camera, or with
other software. When the RAW format is used, the camera automatically
records a JPEG
image as well.
CCD sensitivity for the camera covers a range from 100 ISO
up to 1250 ISO when the P, A, S or M modes are used. Additionally,
an Auto ISO setting is offered, automatically adjusting the
sensitivity between 100 and 200 ISO normally, and 100 and
400 ISO when the flash is used. Auto ISO is the only setting
available when the camera is set to the Simple mode, the Scene
modes, or the Movie mode. Worth noting, however, the High
Sensitivity scene mode uses a sensitivity level inaccessible
to all other modes: 3200 ISO, while the High Sensitivity mode
allows setting a limit to the ISO gain of 400, 800 or 1250
ISO.
As it is with most Panasonic
digital cameras, the DMC-FZ8 sports a Leica-badged zoom lens.
A 12X optical zoom lens, the same lens as was used
on the the FZ7, it offers a focal length that covers from
6 to 72 mm, equivalent
to a 36 to 432 mm in the 35 mm format.
Composed of 11 elements in 8 groups that include aspherical
surfaces to correct curvilinear distortion, it is optically
stabilized at the focal point to compensate for camera shake.
Set to the wide angle end, the lens offers a starting aperture
of f2.8
closing down to f8 in 10 steps. While at the telephoto end
apertures begin at f3.3 and close down to f8 in 9 steps.
The camera is supplied with an
adapter and a lens hood, designed specifically to protect
the lens from flare, irrespective of the focal length in use.
The lens hood adapter screws into the lens trim and the hood
slides on top of the adapter and is secured by a screw.
Beyond the optical zoom, the DMC-FZ8, like other Panasonic
cameras, is equipped with a non-interpolating digital
zoom. The digital zoom takes advantage of the full
resolution of the CCD to offer cropped images when the image
size is set to resolutions less than the maximum,
that show a field of view that would be comparable to what
a lens longer than the camera's maximum telephoto would capture.
Image sizes that can use the digital zoom are indicated with
the letters EZ (Extended Zoom), and the function is
unavailable when the camera is set to capture RAW images.
The shutter speed range of the FZ8 is from 1/2000 second
to 60 seconds, but that range represents the range of possibilities,
and is not available in any one mode, nor it is available
at all focal lengths.
In addition to the settings that can be made using the buttons
on the camera, the DMC-FZ8 has a menu the complexity of which
varies with the mode in use. With the camera set to the Simple
mode, the menu is very short, only 4 options are presented:
Picture Mode which decides the image size according
to its use:
Enlarge: to make 8 x 10 inch prints (20 x 25
cm) using an image size of 3072 x 2304 pixels and a
Fine compression setting.
4 x 6 inch/10 x 15 cm: to record a 2048 x 1360
pixel image using a Standard compression setting.
E-mail: to capture photos at a 640 x 480 pixel
size with a Standard compression, perfect for use as
an attachment to e-mail.
Auto Review decides whether or not the image is
shown on the monitor immediately post-capture.
Beep serves to adjust the volume of the sounds
produced by the camera (Off, Low, High).
Clock Set: allows setting the internal clock and
calendar for the camera.
Set to one of the more advanced modes — P,
S, A, or M
— the menu that appears when the MENU
button is pressed is more complex:
White Balance provides the following settings:
Auto, Daylight, Cloudy, Flash, Halogen (incandescent), White
set 1, White set 2, and White Set to set the white point
manually and store it in either of the 2 memory locations.
White Balance Adjust.: serves to fine-tune
the white balance, making it possible to bias it towards
orange, blue, green or red.
Sensitivity: Auto, or 100, 200, 400, 800 or 1250
ISO. And, when the FZ8 is set to the High Sensitivity Scene
mode: 3200 ISO.
Aspect Ratio: 4:3 (standard TV format, 3:2 (format
for 6x4 or 5x7 prints), or 16:9 (compatible with HDTV).
Picture Size(still image modes only) serves
to select one of the image sizes (see above).
Quality (still image modes only) sets the
image quality: 2 compression levels or RAW.
Picture Mode(movie mode only): selects
the frame size and frame rate (see the Ergonomics
section of the review for more information on the Motion
Picture mode).
Audio Rec.: On or Off. This option
allows recording a 5-second sound bite immediately after
an image is captured. Audio recordings are not possible
when the camera is set to Burst mode, Auto Bracketing, or
with the Starry Night scene mode.
P. A. S, and M capture
menus
Metering Mode: (P, S, A, M, Macro and Movie
modes only)
Multiple meters numerous sections of the frame
to decide the exposure parameters.
Centre-weighted meters the entire frame and
the centre separately, giving the reading obtained at
the centre — presumably the area where the subject
is located — greater importance than the reading
obtained for the rest of the frame.
Spot meters the precise focus point and bases
the exposure on the reading obtained there exclusively.
AF Mode serves to set the Auto focus method:
Multi-area AF: allows the camera to focus on
an off-centre subject automatically.
3-area AF High Speed: the camera uses 3 horizontal
AF points from which to select the focus point automatically.
1-area AF High Speed: allows the camera to
focus quickly on the subject that is in the centre AF
point, and allows moving the focus point to any one
of 11 areas in the frame.
1-area AF: the camera focuses on the subject
located at the centre AF point, and allows moving the
focus point to any one of 11 areas in the frame.
Spot Focusing: concentrates the AF point on
a small area at the centre of the frame and allows moving
the focus point to any one of 11 areas in the frame.
Spot focusing can be linked to the spot meter.
Scene Mode capture menu
Continuous AF (C-AF): On or Off.
When On, the time required to focus is reduced as the camera
adjusts the focus continuously, but the battery is depleted
faster.
AF Assist Lamp: On or Off. Controls
the AF assist lamp, which automatically illuminates the
subject when the ambient light is too low to allow the AF
to function reliably.
Digital Zoom: controls whether or not the 4X
digital zoom is available. The digital zoom takes over after
the EZ zoom range, and can produce an effect similar to
a 72X zoom. However, the image quality drops severely as
soon as the image becomes interpolated.
Colour Effect controls the colour tone of the
image (P, A, S, M, Macro and Movie modes only):
Cool shifts the image towards blue tones,
Warm shifts the image towards red tones,
B&W records the image in black and white,
and
Sepia captures a sepia coloured photo.
Picture Adjustment (P, A, S, M, and Macro modes
only) serves to modify:
Contrast: High, Low or Standard.
Sharpness: High, Low or Standard.
Saturation: High, Low or Standard.
Noise Reduction: High, Low or Standard.
Flip Animation: allows creating a 20-second video
clip by automatically assembling up to 100 images at either
5 or 10 frames per second.
Conversion serves to let the camera know when a
conversion lens is mounted onto the DMW-LA2 optional lens
adaptor:
Wide angle (DMW-LW55) 0.7X.
Telephoto Conversion Lens (DMW-LT55) 1.7X.
Clock Set: serves to set the time and date on the
FZ8.
Set to the Playback mode, the FZ8's menu maintains
the same general appearance, and also provides an access to
the Setup menu (see the Interface and Software section
of the review for the contents of the Setup menu):
Slide Show: can be set to show all images
on the card, or only those that have been set as Favourites
[]
(see the next option). The on-screen time of images
can be selected (1, 2, 3, 5 seconds, or Manual) and one
of 4 transition effects can be selected, or none. If Audio
is set to On, a sound associated with an image will be played
as well.
Favourite: gives the option to mark some images
as favourites, which adds the symbol []
to the images, and makes it possible to erase all images
but favourites; or view only favourite images in a slide
show.
Rotate Disp.: (On or Off), makes it possible to
automatically see pictures that have been shot vertically,
or which have been rotated, with the correct orientation.
Rotate: serves to rotate a photo 90° to the
left or right.
Date Stamp: serves to stamp images with
the time and date, or the age and the travel date. Photos
captured with audio or in RAW format cannot be date stamped.
Date stamped images can be saved as new images, or can be
written over the original.
DPOF Print: serves to select images for printing
on a DPOF compliant printer, a printing service, or when
the FZ8 is connected directly to PictBridge compliant
printer. Worth noting, when the FZ8 is connected directly
to a PictBridge printer, the camera displays a menu from
which the type of print to make can be selected.
Protect: allows selecting images and tagging them
to prevent an accidental erasure.
Audio Dub.: makes it possible to add a voice annotation
lasting up to 10 seconds to any image except those recorded
in RAW format.
Resize: serves to resize any image to a lower resolution
so as to store more images on the card. Photos captured
with sound, or using the RAW format cannot be resized.
Trimming: allows re-framing an image and saving
the cropped version either with the same file name, overwriting
the original, or as a new image. Images with sound, captured
in RAW format, or with a date stamp cannot be trimmed.
Aspect Conversion: images taken in 16:9 format
can be converted to 3:2 or 4:3 format for printing.
Copy: serves to copy images or movies
from the internal memory to a memory card or vice versa.
Format: formats the memory card or the internal
memory.
Power for the DMC-FZ8 comes from a Panasonic Lithium ion
battery (CGR-S006A) that is housed in the grip, next to the
memory card slot, and held in place by a clip that allows
changing the card without having the battery slide out. Included
in the camera kit as it is sold in North America, is a charger
(Panasonic DE-A43) that plugs directly into an electrical
outlet. The charger takes about 2 hours to fully recharge
the battery.
The FZ8 has an internal memory of 27 MB,
and in addition, is compatible with SD (Secure Digital),
SDHC (Secure Digital High Capacity) and MMC
(MultiMedia) memory cards. Worth noting, memory cards greater
than 2 GB must be SDHC, and movies cannot be captured if an
MMC card is used.
The chart below provides the approximate number of images
that can be stored with the internal memory, and with optional
1GB card:
27 MB Internal Memory:
Ratio
4:3
16:9
3:2
Format
Size
7M
5M
3M
2M
1M
0.3M
5.5M
2M
6M
2.5M
RAW
1
N/A
N/A
N/A
N/A
N/A
2
N/A
1
N/A
JPEG
7
5
16
27
41
130
9
25
8
19
JPEG
14
21
33
53
78
210
19
48
16
37
1 GB SD Card:
Ratio
4:3
16:9
3:2
Format
Size
7M
5M
3M
2M
1M
0.3M
5.5M
2M
6M
2.5M
RAW
58
N/A
N/A
N/A
N/A
N/A
77
N/A
65
N/A
JPEG
270
390
600
970
1470
4640
360
910
300
680
JPEG
540
770
1180
1880
2740
7550
710
1720
600
1310
Movie Recording Time:
Ratio
4:3
16:9
Format
30fps VGA
10fps VGA
30fps QVGA
10fps QVGA
30fps
10fps
27MB
Int. Mem.
N/A
N/A
53
sec.
2 min
40 sec.
N/A
N/A
1GB SD
Card
11
min
32
min
50 sec
32
min
50 sec
1 hr
35 min.
9 min
20 sec.
28
min
10 sec.
Two external connections are available on the DMC-FZ8, both
of which are located on the lower left side of the camera.
The upper connection has a dual function, serving for both
USB (2.0 Full Speed) and A/V Out (audio/video), either NTSC
or PAL as determined in the Setup menu. Both cables, USB and
A/V, are supplied with the camera.
The lower connection is for DC-IN, and is intended for use with the optional
DMW-AC7PP AC adapter, making it possible to run the camera
from household current.
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