The Lumix DMC-LS1 is
Panasonic's newest entry-level camera. Priced very reasonably,
it still offers a Mega optical stabilizer, a 3X optical zoom,
a 4-megapixel resolution, and a 2-inch LCD monitor in lieu
of an optical viewfinder and a smaller screen.
The exterior of the DMC-LS1 is
composed of silvered plastic, with some chrome highlights.
However, the lens trim bearing the words MEGA O.I.S.
and the lens barrel itself are metallic.
Panasonic has standardized
many of the external controls and functions of its digital
cameras, more than likely making them more economical to produce.
The result is that the DMC-LS1's external controls—
and indeed even many of its menu options — are identical
to those of other Panasonic models.
The shutter release — a shiny chrome button —
is ringed by the zoom control which in Playback also serves
to view thumbnails of the captured images
(9 per screen), or
zoom into a photo up to 16X.
Immediately to its right, labelled
with ,
is the button to choose the stabilizer mode:
Mode1: has the stabilizer active when the camera
is on, stabilizing both the preview image on the monitor
and the captured image.
Mode2: is less demanding on the batteries, and
stabilizes the image at the precise moment it is captured.
This mode offers the greatest degree of stabilization.
Off: turns off the stabilizer when the camera is
stable, such as when it is mounted on a tripod, or it is
simply not needed, such as when the shutter speed is fast
enough to prevent camera-shake affecting the image.
Behind the stabilizer button is the Power switch for
the camera, while to its left is the Mode Dial. The
Mode Dial has 8 positions, 7 of which are capture modes while
the other, ,
is for the Playback mode. Starting at the top of the Dial,
the modes the LS1 offers are:
Motion Image Mode:
captures video without audio at either 10 frames
per second, or 30 frames per second. In either case, the
frame size is 320 x 240 pixels and the camera will continue
to record until stopped or until it runs out of memory
space. Focus, zoom and white balance are set at the first
frame.
Macro Mode: allows
the camera to focus on a subject 5 cm (1.95 inches) from
the front element of the lens at the wide angle end, and
30 cm (11.7 inches) at the telephoto end.
Economy Mode: is effectively
the same as Normal mode but is designed
to extend battery life by lowering the brightness of the
LCD, and shutting down the camera faster when it is inactive.
Normal Mode: is the
shooting mode that provides the most control to the user.
The camera selects aperture and shutter speed, but the
user can set many other shooting parameters, such as white
balance and exposure compensation.
Three other modes are grouped together, on the other side
of the Playback position:
Simple Mode: is the
most automatic shooting mode. The camera handles
everything and only 4 items can be adjusted by the user:
image size, the battery type in use, the beeps produced
by the camera, and time/date setting.
Are access points to the
8 Scene Modes that are available on the DMC LS1;
and the last selected mode is instantly accessible by
turning the dial to either SCN1 or SCN2.
The Scene menu, which can be configured in the Setup
options to appear automatically or not when the dial
is first turned to either of these positions, makes
it possible to choose from:
Portrait: adjusts
hue and exposure to optimize skin tones, while selecting
a large aperture to blur the background behind the
subject — an effect that can be enhanced if
the subject is captured using the zoom. Sensitivity
is set to Auto, and will range from 64 to 200 ISO
if the flash is unused, and up to 400 ISO if the
flash fires.
Sports: maximizes
the shutter speed so as to freeze action. The mode
requires the camera to be at least 5 m (16.4 ft)
from the subject as the autofocus operates over
a narrower range. Sensitivity is set to Auto and
ranges between 64 and 200 ISO without flash, and
up to 400 ISO with flash.
Scenery: the
camera's autofocus selects a distant subject preferentially
from a range that covers 5 m (16.4 ft) to infinity.
Sensitivity is set to Auto (64 to 200 ISO) and the
flash is Forced Off.
Night Scenery:
forces sensitivity to 64 ISO to minimize noise in
the image and the shutter speed can be as long as
8 seconds. The use of a tripod is recommended. The
flash is Forced Off.
Night Portrait:
sensitivity is set to Auto (64 to 400 ISO) and the
camera's shutter speed can be as low as 1 second.
The flash is automatically set to Slow Synch with
Red-eye reduction and the focusing distance is from
1.2 m (4 ft) to 5 m (16.4 ft).
Fireworks: the
camera captures an exposure with a shutter speed
as long as 1/4 second while the sensitivity is set
to Auto (64 to 400 ISO). Focus is set to a range
that covers from 10 m (33 ft) to infinity. The flash
is Forced Off.
Party: the flash
is activated, the flash setting can be set to Forced
on with Red-eye reduction, or Slow Sync with Red-eye
reduction. Sensitivity is fixed to Auto (64 to 200
ISO). If the flash is used, depending on the zoom
position, sensitivity can increase up to 400 ISO.
Snow: adjusts
exposure compensation and white balance so that
snow appears white. Sensitivity is set to Auto (64
to 220 ISO, 400 ISO if required when the flash and
zoom are used).
As noted at the outset, the
DMC-LS1 provides a 2-inch, 85,000 pixel LCD monitor, but no
optical viewfinder. Although its resolution — the number
of pixels that compose the image — is relatively low,
the upside is that the information superimposed on it is very
legible. In general, the monitor is bright, and remains readily
visible outside. With direct sunlight on it however, it can
be harder to see as its surface is highly reflective.
A few more external controls
are clustered on the right side of the monitor, making them
easily accessible with the thumb. The top button controls
how much information is superimposed on the monitor:
In the capture modes,
except when the Simple mode is in use, four types
of image/information displays are available:
The default display provides the status for: capture
mode, flash mode, stabilizer mode, ISO, white balance,
image size, compression, battery state, remaining
number of shots, memory in use, focus brackets, slow
shutter and colour setting. Moreover, when the shutter
release is pressed halfway, the display shows the
shutter speed and aperture the camera has selected
in all but the Simple and Motion Image modes.
Pressing the DISPLAY once adds a real-time
histogram that shows graphically the distribution
of brightness in the frame.
A second press of the button removes all setting
information, and instead overlays a composition grid.
The AF brackets or point selected in addition to the
shutter speed and aperture are still displayed when
the shutter release is pressed halfway.
A third press of the button removes all superimposed
information, but will still display either the focus
point and the focus confirmation dot, and the shutter
speed and aperture when the release is pressed halfway.
Set to Simple Mode,
the display button only switches back and forth between
a simplified information display and the AF brackets.
In Playback mode the DISPLAY button cycles
through 3 different displays:
By default, the LS1 shows image size and quality,
battery state, file name and position within the images
stored on the card, date and time at which it was
captured.
A press of the DISPLAY button adds the histogram,
the capture mode, shutter speed and aperture, ISO,
flash and white balance settings.
Pressing the button a second time removes all superimposed
information, leaving only the photo.
The 4-direction control with its
four cursor buttons is next. These buttons, beyond providing
directional controls when navigating the menu or reviewing images,
offer additional functions when the DMC-LS1 is set to some of
the capture modes:
The UP arrow
controls:
Exposure Compensation over ±2EV in
increments of 1/3 EV in all but the Simple mode. With
the Simple mode automatic exposure compensation
is provided if the subject is back-lit.
Auto Bracketing captures 3 images, the first
at the evaluated exposure, then one overexposed and
one underexposed. The exposure variation can be up
to ± 1 EV in increments of 1/3 EV. (Not available
in the Simple mode).
The RIGHT arrow selects
the Flash modes: Auto, Auto Red-eye reduction,
Forced On, Slow Sync with Red-eye Reduction, Forced Off.
The DOWN arrow starts
the Review mode. The Review mode instantly displays
the last captured image for approximately 10 seconds.
The Review mode allows looking at other captured images,
and zooming any of them up to 8X. However, the Playback
menu is not accessible.
The LEFT arrow
starts the Self-timer which can have either a 2
or 10 second delay (10 seconds only with the Simple
mode).
The final two external buttons of the DMC-LS1 are the MENU
button which simply presents the menu for the current mode
on the monitor and a dual purpose button that has one function
in the capture mode, and one function in playback:.
In the capture mode
the button selects the Burst mode, cycling back
to the single shot mode:
High Speed captures up to 4 frames at
4 frames per second at the highest resolution
and least compression.
Low Speed captures up to 4 frames at
2 frames per second at the highest resolution
and least compression.
Unlimited captures images at 1.5 frames
per second at the highest resolution and least
compression as long as there is space on the memory
card, but the frame rate diminishes as the buffer
memory fills up and images are transferred to the
card.
Set to Simple Mode however, only Low Speed
Burst is available.
While in the Review
mode or in Playback the button serves to delete
unwanted photos.
The Panasonic DMC-LS1 is designed
to help introduce a user to digital photography. Therefore,
it designed to be simple to use, easy to get accustomed to,
and friendly. It has no complicated settings, and its ergonomic
design is very well thought out. Moreover, in our opinion,
it includes a lens stabilizer which is a technology that goes
a long way in ensuring that users get good quality images.
And if only for that, Panasonic deserves recognition, and
commendation.