Using a 16:9 aspect ratio LCD monitor
that measures 2.8 inches diagonally and is composed of 207,000
pixels, the Lumix DMC-LX2 has more space to display information
unobtrusively than other cameras. Indeed, camera settings
are displayed clearly, in a mix of text and icons that are
mostly aligned at the top of the screen, while a few icons
are superimposed on the right and left sides, and at the bottom.
Interestingly, when the LX2's aspect ratio is set to 3:2 or
4:3, the camera continues using the entire 16:9 screen, superimposing
the camera settings on the black bands that appear on the
left and right sides of the monitor.
The same is true for the menus of the LX2, which are also
designed to occupy the full 16:9 screen. The greater horizontal
space of the monitor result in menus that are more legible
and with fewer abbreviations. Menus are likewise clearly organized,
and easily understood. Menus always include an access to the
Setup options, usually through a second tab, with one
exception, the Scene menu which is composed of three
sections, the first section being devoted to the selection
of the specific scene mode. The Setup menu is at its most
complete when the camera is set to the Playback mode:
Clock Set: allows setting the time and date on
the LX2.
World Time: allows setting a local time and a travel
destination time, which then can be used while travelling
as the local time can be recorded on the lower part of the
frame, instead of the home time.
Monitor: serves to adjust the brightness of the
monitor over 7 steps (± 3 values and the default).
Guide Line: serves to select whether the camera
displays capture information, a histogram, or a more complex
guideline overlay than horizontal and vertical lines.
Travel Date On or Off, serves to select whether
the Travel destination time is shown on images or the Home
time.
Auto Review: to choose whether or not the image
is displayed immediately post-capture, and for how long
(Off, 1 or 3 seconds, or Zoom). When Zoom is selected the
image appears full-screen for 1 second, and then zoomed
to 4X for an additional 1 second so that its sharpness can
be checked. The option is not available with images captured
with the Burst or Bracketing modes, or that contain audio.
Power Save: selects the time delay after which
the camera turns off if it is unused (1, 2, 5, 10 minutes
or Off).
MF Assist: decides whether or not the centre portion
of the image is magnified as a help during manual focusing,
and whether the magnified section occupies only the centre
part of the image (MF1), or fills the monitor (MF2).
Economy: saves battery life by turning off the
monitor when the camera is not used for 15 seconds (Level
1), or turns off the monitor after 15 seconds when the camera
is not being used for more than 15 seconds, or approximately
5 seconds after taking a picture (Level 2).
Beep: serves to adjust volume of the sounds the
camera produces during operations (Off, Soft or Loud).
AF Beep: Controls the volume of the sound produced
when the camera has auto focused.
Shutter: serves to set the volume of the shutter
sound (Soft, Loud or Off).
Volume: serves to adjust the playback volume for
audio recordings or movies over a range of 7 steps.
No. Reset: selects whether photo files will be
incremented, or reset to 1, when the card is formatted or
a new card is inserted.
Reset: returns all menu options, with the exception
of the Date and Time, the Folder Name, the Baby 1 and 2
settings, Travel Date and World Time, all other settings
of the SETUP and REC. menus are returned to their original
factory settings.
Highlight: decides whether or not potentially overexposed
areas of an image are displayed as blinking when the camera
is in Playback mode, or Review mode.
Video Out (Playback mode only) decides the video
out signal: NTSC or PAL.
TV Aspect (Playback mode only): allows setting
the output aspect to either 4:3 or 16:9, depending on the
TV to which the camera is connected.
MF m/ft: selects whether distances are shown in
metres or feet when the camera is set to manual focus.
Scene Menu: decides whether or not the scene menu
is shown automatically when the Mode dial is turned to the
SCN position, or whether the MENU button must be
pressed first.
Language serves to select the interface language:
English, French, Italian, German, Spanish, Japanese, or
Simplified Chinese.
The DMC-LX2 is accompanied by a thin printed manual which is
nevertheless very complete and covers all the options and functions
available on the camera. The manual is well-written and easily
understood, making it simple to become familiar quickly with
the camera.
Software
In North America the Panasonic
DMC-LX2 is supplied with a single CD containing Lumix Simple
Viewer, PHOTOfunSTUDIO Viewer, QuickTime,
Adobe Acrobat Reader, the USB drivers for older operating
systems, ArcSoft's PhotoImpression 5, Panorama Maker
3 and of course SilkyPix's Developer Studio 2.0 SE,
which is designed to 'develop' RAW images taken with the LX2.
Lumix Simple Viewer is, as its name indicates, primarily
an image viewer and does not allow any image editing. The
program starts by presenting a menu which offers options to
Acquire Images to PC, View, Print, or Send by E-mail. To view
images, these must be "registered" with the program
first, a process that involves either importing photos from
a memory card or the camera while it is connected to the computer,
or from the hard disk. Once imported, images can be viewed
easily, either in the presentation shown above, or in a slide
show-like mode that even allows seeing the image at 100% scale.
PHOTOfunStudio Viewer
(shown at left) is a somewhat more advanced version of the
Lumix Simple Viewer.
Still, this is a program that does not allow for editing
— aside from resizing, format conversion, batch renaming,
and changing the recording date — and which is unable
to show Lumix RAW files, leaving the thumbnail areas blank
in its display.
SilkyPix's Developer Studio
2.0 SE is a treat when it comes to RAW processing software.
While most camera manufacturers tend to be minimalist when
it comes to the RAW image processing software, Panasonic supplies
a powerful tool.
SilkyPix is ideal to make users
discover the power of the RAW format, and the control
— using good software such as this — the format
offers the user. Developer Studio 2.0 provides a very complete
set of tools to process the LX2's RAW images. The tools can
be arranged around the work window and moved around as necessary.
These tools include controls over exposure, white balance
(including a tool to manually select the white or grey point),
sharpness, tone, colour, noise reduction, and even correct
optical flaws such as vignetting, distortion and chromatic
aberration.
Any change or modification made to the image is immediately
visible, and a particular set of corrections can be saved
so it can be re-applied later. Processed images can then be
saved as JPEG with a variable compression level, or as 8 or
16-bit TIFF files.
PhotoImpression 5 starts out by informing the user
that a newer version, PhotoImpression 6, is available. Nevertheless,
version 5 allows retouching photos (JPEG as well as RAW) using
tools to sharpen, brighten images, or change their contrast,
saturation, or colour tone. The program can also be used to
resize images, or add frames and text, and is capable of performing
automatic red-eye correction. Finally it can also be used
to create photo albums, and offers a wide range of templates.
Still, when it comes to RAW image editing, PhotoImpression
5 does not compare to SilkyPix's Developer Studio 2.0 SE.
PanoramaMaker 3 is
designed to stitch together a series of contiguous photos
so they can be assembled into a single large image horizontally,
vertically or as a mosaic.
QuickTime is to view the video clips recorded with
the DMC-LX2.
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