The Samsung TL34HD crams 14.7
megapixels onto a 1/1.72-inch CCD sensor. The sensor's diagnal measure
is less than half an inch--about 0.581 inches. By comparison, the diagonal
measure for a 35mm frame of film is 1.74 inches.
Startup time for the snapper is relatively swift. It averaged 1.64 seconds.
Shot-to-shot performance was good, too. It averaged 1.78 seconds for
images captured in single-shot mode at maximum size and best quality.
The camera stores still images in JPG format and video in MP4.
Seven image sizes are supported from 4384 x 3288 pixels to 1024 x 768
pixels (See Specifications Section). Three quality levels--Superfine,
Fine and Normal--can be applied to each size. Compression levels range
from a high of 6.1:1 for 4384 x 3288 pictures at Normal quality to 1.5:1
for 1024 x 768 snaps at Fine quality (See Compression Table).
Samsung TL34HD
File Compression
Image Size
(pixels)
Quality
MP
File Size
(MB)
Ratio/1
4384
x
3288
Superfine
14.41
6.36
2.3
4384
x
3288
Fine
14.41
3.5
4.1
4384
x
3288
Normal
14.41
2.35
6.1
4384
x
2920
Superfine
12.80
5.67
2.3
4384
x
2920
Fine
12.80
3.13
4.1
4384
x
2920
Normal
12.80
2.15
6.0
4384
x
2464
Superfine
10.80
5.21
2.1
4384
x
2464
Fine
10.80
3.13
3.5
4384
x
2464
Normal
10.80
1.88
5.7
3264
x
2448
Superfine
7.99
5.1
1.6
3264
x
2448
Fine
7.99
2.68
3.0
3264
x
2448
Normal
7.99
1.85
4.3
2592
x
1944
Superfine
5.04
2.12
2.4
2592
x
1944
Fine
5.04
1.34
3.8
2592
x
1944
Normal
5.04
0.922
5.5
1920
x
1080
Superfine
2.07
0.886
2.3
1920
x
1080
Fine
2.07
0.529
3.9
1920
x
1080
Normal
2.07
0.376
5.5
1024
x
768
Superfine
0.79
0.492
1.6
1024
x
768
Fine
0.79
0.529
1.5
1024
x
768
Normal
0.79
0.241
3.3
Video (10
seconds)
1280
x
720
HQ (30fps)
14.6
1280
x
720
HQ (15fps)
9.57
1280
x
720
Standard (30fps)
9.51
1280
x
720
Standard (15fps)
5.38
640
x
480
30 fps
3.29
640
x
480
15 fps
1.9
320
x
240
60 fps
1.8
320
x
240
30 fps
1.06
320
x
240
15 fps
0.732
Photos can be stored
in the camera's 40 megabytes of internal memory or on external storage
cards. SD, SDHC and MMC Plus cards are supported by the unit. Anywhere
from 136 to 2894 stills can be stashed on a one gigabyte card depending
on the size and quality of the images shot (See Specifications Section).
Three video sizes are available in the bytecam at three
speeds and two quality settings. Sizes range from 1280 x 720 pixels to
320 x 240 pixels. Speeds are 15, 30 and 60 frames per second. Files sizes
can be as high as 14.6MB for 10 seconds of HQ video at 30fps to as low
as 732KB for 10 seconds of 320 x 240 video at 15fps (See Specifications
Section).
Much of the control over
the TL34 is exercised through its expansive three-inch touch-screen. The
LCD is bright and sharp with a resolution of 460,000 pixels. As is common
with this class of camera, there's no optical viewfinder. Ordinarily,
that's a drawback, especially when shooting in bright sunlight, but the
TL34's display performed impressively, even with old sol directly hitting
the screen.
Light sensitivity for this Samsung model ranges from a low ISO 80 to
as fast ISO 3200. Available ISO settings vary with the shooting modes.
In AEB (Auto Exposure Bracketing), Blink Detection and ACB (Auto Contrast
Balance) modes, for instance, all ISO values are not available. At ISO
3200, resolution is automatically set to 3MP. Since noise increases
as ISO values increase, a good rule of thumb to keep in mind is, the
lower the ISO, the better.
The TL34 is one of a current breed of ultracompacts with wide angle
zooms. At its widest setting, the lens, made by top-shelf glass crafters
Schneider-Kreuznach, is the equivalent of a 28mm lens in a 35mm camera.
That enables a shooter to capture much more dramatic shots than can
be snatched with a typical point-and-shoot slimster.
Throughout its zoom range, the lens performed very well with excellent
edge to edge sharpness.
When shooting
pictures, focusing is performed automatically by the camera by partially
depressing the shutter button. That partial poke causes a focusing box
to appear on the LCD. If the box is green, a focus has been obtained.
If it's red, the shot needs to be refocused.
Auto focusing can be modified, however, for close-up or
macro shots. In Macro focusing mode, the DSC will focus on objects between
two and 31 inches. There's also an Auto Macro mode, which will kick in
automatically when a subject in from two and 19 inches from the camera.
How the autofocusing system
chooses what to focus on in a frame is determined by choosing a focus
area. With Multi AF, the unit focuses on a subject based on one of nine
areas in the frame. With Center AF, the camera concentrates on an area
at the center of the frame. There's also a Touch AF mode. It allows you
to tell the camera what to focus on in a frame by tapping the subject
on the LCD.
For the most part, the system did a good job sharply focusing
on subjects. On occasion, though, it took its sweet time in obtaining
a focus it liked.
Exposure modes supported
by the TL34 are Multi, Spot and Center-Weighted.
Multi analyzes the light in several areas of the frame and
sets the exposure based on that analysis. It's a good general purpose
method for obtaining the proper exposure for a shot.
Spot measures the exposure
at only the center of the frame. It's useful when shooting subjects against
bright lighting. That situation can also be accommodated by Auto Contrast
Balance. ACB, which is always on in Auto mode, will balance the contrast
in a frame where there's a large illumination difference between subject
and background.
Center-Weighted metering takes an average reading of the
light in the frame, but optimizes the exposure for the reading at the
center of picture.
Whatever the metering
method, the exposure of a shot can be manually altered through exposure
compensation. When the EC icon is tapped on the screen, a slider bar appears
with a marker. Dragging the marker right increases exposure; left decreases
it. Exposure can be increased or decreased up to two stops in one-third
increments. Although I found the TL34's touch-screen to be responsive
for most functions, its slider bars, like this one, could be irritating
at times. The marker often remained stuck at a location on the bar and
the dragging motion had to be repeated several times before the marker
would move.
Bracketing exposures with this Samsung is made easy with
its AEB, or Auto Bracketing mode. In that mode the camera will capture
three consecutive images--one at normal exposure, one overexposed and
one underexposed. Unlike exposure compensation where the amount of over-
or underexposure can be altered by a shooter, AEB automatically sets those
values.
Samsung recommends a tripod be used when shooting in AEB mode because
it can take some time to capture images when it’s activated. That’s
because it uses shutter speed to create its bracket. For example, in
one bracket I shot in Program mode, the F number remained constant at
2.8, but the shutter speeds for the series were 1/30, 1/60 and 1/50
second.
Exposure, as well as other settings for a shot, can be
optimized for certain photographic situations by using the camera’s
Scene mode. Thirteen scenes are covered by the mode—portrait, children,
landscape, close-up, text, sunset, dawn, backlight, fireworks, beach &
snow, self-shot, food and cafe.
Top shutter speed for
the unit is 1/2000 second. Low shutter speeds vary according to shooting
mode. In Auto mode, lowest shutter speed is one second; in Night mode,
eight seconds; and in Fireworks mode, four seconds. In those modes, you
can’t exercise any direct control over shutter speed, but you can
alter it by changing the ISO setting for the shot. In Manual mode, you
can choose a shutter speed from a slider bar on the screen. Although the
DSC’s image stabilization system can offset camera shake at some
low shutter speeds, when you get below 1/15 second, it’s advisable
to use a tripod.
In addition to Auto Exposure
Bracketing, the TL34 has an array of continuous shooting modes.
In Continuous mode, the unit will snap pictures while the
shutter button is depressed at about 1.6 frames per second until it fills
its memory card.
In High Speed mode, the DSC captures pics until a card is
full at about 1.5fps.
And in M.Capture, the snapper will shoot a maximum of 30
1MP images at about 7.5fps.
The TL34’s shutter
can be fired unattended with the camera’s self-timer function. In
addition to the typical 10 and two second timer delays, the unit has a
Double mode. With it, the DSC will take one photo after a 10 second lapse,
then another after two seconds. Double mode provides some valuable redundancy
when taking group shots where the first picture may not always be the
best.
In addition, the timer
can be controlled with an optional remote control. Pressing the shutter
button on the remote sets the timer to fire in two seconds.
Another good feature of the timer is that when it’s activated,
it stays activated. Some cameras automatically turn off the timer function
after it has been executed requiring that it be turned on again for
another shot.
This Samsung offering
has a typical set of White Balance settings—auto, daylight, cloudy,
fluorescent, tungsten and custom. When white balance changes are made
to a frame on the fly, their effect on the shot can be seen in the LCD.
Instead of the typical flat flash at the front of the camera, the HL34
has a pop-up flash. One problem I’ve found with flat flashes is
that it’s easy to cover them with a finger when holding the camera
for a shot. There’s no need to worry about that with a pop-up
flash.
Range for the unit’s flash is 11.8 inches to 17.7 feet with the
zoom at its widest setting and 19.6 inches to 8.8 feet in telephoto
mode.
Several flash modes are
available with the DSC.
In Auto mode, the flash will fire when lighting conditions
require it.
There are two Red-Eye modes. One fires a “pre-flash”
to reduce red-eye when the main flash fires. The other, “Red-Eye
Fix,” corrects demon orbs through the camera’s software.
In Fill In mode, the
flash will fire whenever the shutter button is fully depressed. Intensity
from the flash is adjusted to accommodate the lighting in a frame.
The flash also has a Slow Sync mode. It allows the shutter to remain
open longer when the flash fires. Because Slow Sync uses slower shutter
speeds, it’s recommended that a tripod be used with it.
Recycle times for the flash average about 7.06 seconds.
Battery life for the TL34 is relatively short. Time between recharges
were around a week with moderate use of the unit.
Standards supported the camera include EXIF, NTSC, HDMI, DPOF and PictBridge.