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Sony DSC-H1

Reviewed June 2005

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion

Judging from the number of e-mails we have received requesting a review of the new Sony Cyber-shot DSC-H1, this camera has been one of the most anticipated in recent memory, an interest most likely spurred by its basic characteristics: a 5-megapixel resolution and a stabilized 12X zoom.

The DSC-H1 has a silver plastic exterior with a rubber-wrapped grip area, while the lens barrel is metallic and finished in a dark silver.

Directly below the chromed two-stage shutter release, which is inclined towards the front, a dial called the Jog Dial protrudes from the top of the grip. The Jog Dial is used to change, according to the mode in use, a variety of shooting parameters such as shutter speed, aperture, or exposure compensation. In addition, when the camera is in Playback mode, the Jog Dial can be used to move from one image to another.

Two buttons are positioned immediately behind the shutter release:

Cycles through each of the focusing modes of the camera:

  • Multi point AF (default), uses a wide area encompassing 3 horizontal AF points in the middle of the frame. Multi point AF is the only focus mode available when using the Auto shooting mode.
  • Centre AF focuses using the centre AF point.
  • Flexible Spot AF allows moving the focus point over most of the frame using the 4-direction control.
  • Manual Focus allows focusing the camera using the 4-direction control with the assistance of a distance scale shown on the monitor or the viewfinder.

Serves to choose one of two Continuous shooting modes, or Auto Exposure Bracketing:

  • Burst records up to 9 images at the highest image resolution while the shutter button is held down, at a recording interval of 0.8 second between each image.
  • Multi Burst captures small images and saves them into a single 1280 x 960 frame.
 
  • Bracketing captures a series of 3 images, two of which bracket the exposure parameters established by the metering, the first being overexposed and the third underexposed. The bracketing amount is determined in the menu (see the Characteristics of the review).

Moving to the left but still on the top right side of the camera, the DSC-H1's microphone is positioned closer to the front of the camera, while the Power Switch is closer to the back.

The Mode Dial is the last control on the camera's top, dominating the grip area so that it can easily be turned with the thumb. The Mode Dial has 14 positions, and its current setting is displayed graphically on the monitor or the viewfinder, rotating as the Mode Dial is turned, making it possible to change mode without having to look at the dial's position directly.

Starting with the Auto mode, the 14 positions of the Mode Dial are:

Auto: a point and shoot mode that places the DSC-H1 in charge of all camera settings with the exception of the flash mode, the macro mode and the self-timer.

Program: lets the camera choose the aperture and shutter speed, but the selection can be modified to other combinations of aperture and shutter speed that would also produce an acceptable exposure using the Jog Dial.

Shutter Priority: lets the user select the shutter speed from 1/1000 second down to 30 seconds while the camera selects the aperture.

Aperture Priority: lets the user select the aperture from a range of f2.8 to f8 in wide angle — the aperture range varies with the zoom position — while the camera selects the shutter speed.

Manual: allows selecting both aperture and shutter speed while the exposure compensation gauge indicates the degree of over or under exposure as calculated by the meter.

Next is a group of 7 Scene modes:

Twilight: provides a maximum exposure time of 2 seconds. The flash is turned off and sensitivity is set to 64 ISO. Noise reduction is automatically applied to the image post-capture.

Twilight Portrait: uses the same parameters as the Twilight mode, but adds the flash set to Slow Synch mode and red-eye reduction so as to capture a subject in front of scenery at night.

Candle: is to capture a candle-lit scene, retaining the atmosphere of the lighting. A shutter speed range of 1 to 1/2000 second is available, the AF mode is set to Centre, the white balance is set to daylight, the sensitivity is set to Auto (between 64 and 200 ISO), and the flash is forced off.

Beach: increases blue saturation while limiting the flash modes to Forced on, or Forced Off and limiting the shutter speed to a minimum of 1/8 second. Sensitivity is controlled by the camera, and covers a range of 64 to 320 ISO.

High-speed Shutter: is designed to freeze action, and the slowest shutter speed is 1/250 second. The flash is Forced Off, and sensitivity is automatically adjusted between 64 and 320 ISO.

Landscape: provides a shutter speed range of 1/8 to 1/2000 second. The flash can be set to Forced On or Forced Off, and sensitivity is automatically adjusted between 64 and 320 ISO.

Portrait: also has a shutter speed range of 1/8 to 1/2000 second and an Auto ISO range of 64 to 320 ISO. Sharpness is lowered and the camera optimizes the image for skin tones.

Next is the Movie Mode:

Movie: can capture videos with sound at any of 3 frame sizes:

  • 640 (Fine) has a frame size of 640 x 480 pixels with a low compression, but is only useable when the camera is fitted with a Memory Stick Pro.
  • 640 (Standard) also offers a frame size of 640 x 480 pixels, but applies a stronger compression. This format is useable with standard Memory Sticks.
  • 160 has a frame size of 160 x 112 pixels and applies an average compression.

Whatever the frame size, movies are captured at 25 frames per second with sound. The optical zoom is disabled at the first frame but exposure and white balance are adjusted as needed during recording, while the length of the recording depends on the capacity and space available on the Memory Stick.

The last setting on the Mode Dial is for the Playback mode.

The DSC-H1 is equipped an Electronic Viewfinder (EVF), whose 0.75 cm (0.3 inch) LCD screen has a resolution of 115,200 pixels, and which includes a diopter correction control immediately below the rubber-wrapped exit pupil.

It is also equipped with a 2.5-inch (6.2 cm) LCD monitor that occupies the major portion of the camera's back, and which also provides a resolution of 115,200 pixels.

And both the EVF and the monitor can be used to review images, in addition to being able to show all menus and camera settings.

The choice of whether the EVF or the monitor is active is made with a small silver button on the right of the EVF's housing, one of two similar buttons there.

The second button () controls the optical image stabilizer, SteadyShot. The button cycles between On and Off, but the stabilizer can be set to either of two modes, as determined in the Setup menu (see the Interface and Software section of the review for more details on the contents of the Setup menu).

In between, a small LED serves to indicate the flash state, or the fact that an image is being saved.

On the upper right of the camera's back, the Zoom control not only serves to adjust the focal length of the lens, but also to review images as thumbnails in an Index display when pressed to the wide angle , presenting 9 thumbnails first, and then 16 when pressed a second time. The telephoto side, , can be used to magnify an image up to 5 times.
The remaining controls are clustered on the lower right side of the monitor:

At the top is the MENU button, which displays — either on the 2.5-inch monitor or on the EVF — the menu that corresponds to the current Mode Dial setting.

Directly below the MENU button is the 4-direction controller which serves to navigate the menus, review images, adjust the focus point when the camera is set to Flexible Point AF, and adjust the focus in the Manual focus mode, while the small button at its centre can be used to confirm certain menu selections.

The 4 directional arrows of the control also have secondary functions, embossed on each button, when the DSC-H1 is set to a capture mode:

The up arrow serves to select the Flash Mode: Auto, Forced On, Slow Synch, Forced Off. Red-eye reduction must be activated in the Setup menu.
The right arrow turns on the Macro mode, allowing the camera to focus on a subject 2 cm (0.8 inch) from the front element of the lens when the zoom is at the wide angle end; and 90 cm (35.5 inches) when the lens is at the maximum telephoto.
The down arrow activates the 10-second Self-timer delay, flashing the Self-timer lamp on the front of the camera, next to the grip, as the camera counts down.

The left arrow accessed the Quick Review mode, providing a fast way to see the last captured image.

The last two buttons, below the 4-direction control, have both capture and playback functions:

In the Capture modes, the DISPLAY button controls the information superimposed on the periphery of the monitor. By default, the indications are: battery state, capture mode, flash mode, resolution and image quality, shot counter, whether the internal memory or a Memory Stick is in use, ISO setting, AF mode, shutter speed and aperture, and exposure compensation, if any.
 

Pressing the button once adds a real-time histogram, a graphical representation of the brightness in the frame. A second press removes most of the superimposed information, with the exception of the focus point, the shutter speed and aperture, and the exposure compensation, if any.

In the Playback mode, the default setting presents the image with, superimposed on it: the battery state, image resolution, memory in use, the number of shots in the folder and the image's position within it, the image's file name and the date and time of its capture. Pressing the button once overlays the histogram for the image, and adds data such as the shutter speed and aperture, exposure compensation setting, ISO setting, flash mode, and the white balance setting. Pressing the button a second time remove all superimposed information, leaving only the image.

Finally, the button on the right controls:

The selection of the image size when the camera is set to any of the Capture modes, including the Movie mode.

When the camera is set to the Playback mode, it serves to delete unwanted images, either one at a time, or multiple photos at a time with the use of the Index view, or all the photos contained in a folder. With the camera in Quick Review mode, only the last image can be deleted.

The DSC-H1 has a pop-up flash that, when open, deploys to a sufficient height that the lens does not cast a shadow when the subject is relatively close and the zoom is at the widest angle.

The flash is fully automatic, and opens when the camera judges it to be necessary, or when it is Forced On. There is no external button to release it.

The Sony DSC-H1 is a very pleasant camera to hold and manipulate. It has a very conventional ergonomic design, which allows it to become familiar quickly, and external controls that are well-positioned and very responsive.

The H1's large 2.5-inch monitor makes it possible to visualize the shot clearly and, should the ambient light be too strong to make the monitor comfortable, the EVF ensures a view that is as detailed but protected from any external light, while still able to show complete camera setting information.

Compare Prices for
SONY Cyber-shot DSC-H1 5.1 MP Digital Camera - Black
StoreSeller RatingsDescriptionPrice
TechForLessin stock$259.80
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion



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