The Sony Cyber-shot DSC-H9
is another in the growing number of bridge cameras
currently on the market. Equipped with a 15X optically stabilized
zoom lens, an 8.1 megapixel resolution and a hinged 3-inch
LCD monitor, and supplied with a host of small accessories,
the DSC-H9 is one of the most comprehensive kits.
The H9 is equipped with a
large, 3-inch (7.4 cm) LCD monitor. The monitor is composed
of 230,400 pixels, and offers an excellent and crisp image.
The monitor is hinged on the back, making it possible to
move it 180°, 90° up or 90° down. A latch holds
it in place on the back of the camera.
The top of the grip supports the
shutter release and two buttons. The shutter release
is two-stage, providing for focus and auto exposure when pressed
to the halfway point, and capturing the image when pressed fully.
The button on left serves
to select one of the three metering modes
it cycles through: Multi
metering, Centre-weighted
metering, or
Spot metering.
The button on the right, ,
controls the drive mode, cycling through
Single shot, Continuous Shooting (up to 100 frames at a frame
rate of 2 frames per second approximately), Exposure Bracketing
over three frames with a bracketing step of 1/3 EV, 2/3 EV,
or 1 EV, before returning to the Single shot mode.
Two more controls are positioned
on top of the camera: the power switch, which
has a small LED on its right that glows green when the camera
is on, and the Mode Dial. The Mode dial has
12 positions, each a capture mode:
Auto is the DSC-H9's
point and shoot mode, putting the camera is charge of
all photographic settings.
Program allows the
camera to choose the aperture and the shutter speed,
but the user can select alternate combinations of aperture
and shutter speed — emphasizing either depth of
field or speed; in addition to providing access to all
the other settings available on the camera.
Shutter Priority
makes it possible to select a shutter speed from a range
that covers from 1/4000 second to 30 seconds, while
the camera handles the aperture.
Aperture Priority
provides a choice of apertures from f2.7 to f8 at the
wide angle end, and f4.5 to f8 at the telephoto end,
while the camera matches it to a shutter speed.
Manual allows selecting
both the shutter speed and the aperture along with all
other parameters. The camera displays the exposure compensation
scale to indicate over- or underexposure.
Movie Mode makes
it possible to capture clips with sound at any one of
three frame sizes:
640 (Fine) records at a frame size of 640
x 480 pixels at 30 frames per second, using a low
compression. This option is only available when a
Memory Stick Duo Pro is used.
640 (Standard) records a 640 x 480-pixel
image at 25 frames per second, with a stronger compression.
320 records a small frame size, 320 x 240
pixels, at 25 frames per second, using a standard
compression.
During movie recordings, the full zoom remains useable,
as does the auto focus, and the white balance is adjusted
as required. The length of the movie is only limited
by the space available on the Memory Stick.
Twilight allows a maximum exposure time
of 2 seconds while cutting off the flash and uses
a sensitivity to 80 to 100 ISO. Noise reduction
is automatically applied post-capture.
Beach limits the use of the flash to
Forced On, or Forced Off and the slowest shutter
speed is 1/8 second. Sensitivity is automatically
adjusted from a range that covers from 80 to 800
ISO, and the camera automatically boosts blue
saturation slightly.
Snow is intended to capture a moving
subject by optimizing the shutter speed. The minimum
shutter speed is 1/8 second and sensitivity is
adjusted over a range of 80 to 800 ISO.
Fireworks has a shutter speed range
of 2 seconds and the flash is Forced Off. Sensitivity
is automatically adjusted over a range of 80 to
100 ISO.
Landscape has a shutter speed range of 1/8
to 1/4000 second and the flash can be set to Forced
On or Forced Off. Sensitivity is automatically adjusted
over a range of 80 to 800 ISO.
Twilight Portrait opens the flash automatically
using the Slow Sync mode to capture a subject standing
in front of night scenery. The sensitivity can range
from 80 to 200 ISO and the shutter speed can be as long
as 2 seconds.
Advanced Sports Shooting is intended to capture
sports action by optimizing the shutter speed. The minimum
shutter speed is 1/60 second and sensitivity is adjusted
over a range of 80 to 800 ISO.
Portrait also has a shutter speed range of
1/30 to 1/4000 second, and sensitivity is automatically
adjusted from 80 to 800 ISO. Set to this mode, the camera
softens sharpness slightly and accentuates skin tones.
High Sensitivity
makes it possible to capture images in dark places without
the use of the flash, by allowing the camera to adjust
sensitivity from 80 to 3200 ISO.
The next controls are on the
ridge that connects the top and the back of the camera. The
first, nearest the viewfinder, is the Finder/LCD
button, which toggles back and forth between the LCD monitor
and the electronic viewfinder of the H9. The EVF measures
0.2 in. (0.5 cm) diagonally, and is composed of 200,000
pixels, giving a small but sharp image. A dioptre
corrector, positioned on the left side of the exit pupil,
is included making it possible to adjust the image to one's
eyesight.
To the right of the Finder/LCD button is the Playback
button that can be used, if pressed for more than one second,
to start the camera directly in playback mode, without having
the lens extend. The camera can also be switched to capture
mode by pressing the shutter release lightly.
The next button is a rocker
switch that controls the zoom. The switch
is positioned to fall under the thumb when holding the camera,
and is relatively easy to use, moving the zoom from wide angle
to telephoto in approximately 2 seconds. In Playback mode,
the zoom control can be used to zoom into part of an image
(up to 5X) when pressed on the T
side. When pressed on the W
side, the camera first displays a view with 9 thumbnails.
When pressed a second time 20 thumbnails are displayed as
part of a window that contains all of the photos in the current
folder.
Moving down the narrow strip
of space left for controls by the monitor, the next control
is the MENU button. The Menu button calls
up one menu for the shooting modes, and another for the playback
mode. For more information about the menus of the DSC-H9,
see the Characteristics section
of the review.
Next comes the Control button which has
a small button in the centre and a Wheel dial
around it. The Control is effectively a 4-direction control,
used to navigate the menus of the camera, review images, and
control 4 functions:
The up direction controls
the Flash mode: Auto, Forced On, Slow Synch, or
Forced Off.
The down direction
engages the Self-timer which, when pressed once,
inserts a 10-second delay after the shutter has been released,
or when pressed twice, a 2-second delay.
The right direction
activates the Macro mode, which allows the camera
to focus on a subject that is 1 cm (0.39 inch) from the
front element of the lens when the zoom is a the wide-angle
end, and 120 cm (46.8 inches) at the telephoto end.
DISP
The up direction
controls the display and its modes apply to both the 3-inch
monitor and the EVF. The button cycles through 4 modes,
starting with a display that shows most of the indications
superimposed on the monitor. Pressing the DISP button
once leaves the same information on the monitor/EVF, but
increases the brightness of the back light.
A second press adds a real-time
histogram, showing the distribution of brightness in
the frame. A third press of the button removes all information
with the exception of the AF brackets.
Moreover, if desired, grid lines can be added to the
monitor/EVF, a help in composition.
In the playback mode, the DISP
button functions much the same way as in the capture mode,
first displaying an image with some of the image's parameters,
then increasing the screen's brightness when pressed once,
then adding the image's histogram when pressed twice. A third
press removes all superimposed image information, while the
next press dims the image, returning to the default setting.
The Wheel dial around the 4-direction control operates in
conjunction with the button at the centre. The button has
two states: OK or SET, switching
back and forth each time it is pressed. A number of the camera
settings that appear on the monitor or EVF can be modified,
and when SET is selected the setting to be adjusted can be
selected by moving the wheel dial from side to side which
highlights it in yellow. The settings that can be modified
are at the bottom of the display:
Focus: Multi AF (wide area AF), Centre
AF, Flexible Spot AF (can be moved anywhere in the frame),
and Manual focus with a distance scale displayed on the
monitor.
Exposure Compensation: adjustable over
a range of ± 2 EV in 1/3 EV increments.
ShutterSpeed when the
camera is set to S or M
modes
Aperture when the camera is set to A
or M modes
Combinations of shutter speeds and apertures
that would result in correct exposure when the camera is
set to P mode.
Sensitivity: allowing the ISO setting
for the camera to be selected starting with Auto, 80, 100,
200, 400, 800, 1600 or 3200 ISO.
And. with the H9 set to the playback mode,
the Wheel dial can be used to move from one image to the next,
either forwards or backwards.
The last control on the back of the H9 is simply labeled
HOME. The Home button calls up what Sony
refers to as the Home Screen which provides access to functions
irrespective of the camera's mode. With the camera set to
a capture mode, the first option displayed is Shooting,
which when selected simply leads to the current shooting mode,
even if the camera was in Playback mode.
The next category is View
Images and it appears first when the camera is set
to the Playback mode when the Home button is pressed. The
View Images category offers options to see a Single Image
at a time, view photos in an Index Display, the same view
that is presented with the wide side of the zoom button is
pressed, or see a Slide Show.
The following category is Printing, Other and
it offers an access to select photos to be printed, or download
music to the camera to be used with a slide show, or format
the music to eliminate the music files already present on
the camera.
Next comes Manage Memory,
and it provides access to the memory tool that serves to format
the internal memory or a Memory Stick Duo.
The last category is entitled Settings and
it is the access to the Setup options for the camera. Worth
noting, its second section, Shooting Settings,
can also be accessed as the last option of the Shooting menu,
which is displayed with the MENU button when the camera is
set to a capture mode.
The final external control
of the DSC-H9 is the NightShot switch, located
on the left side of the camera, near the monitor. The NightShot
mode made its debut in 2001 on the DSC-F707. The mode allows
the camera to capture images in Infrared, with the assistance
of an infrared emitter that is positioned between the grip
and the lens, behind an elongated oval window (see image
below). Using the NightShot feature automatically switches
the camera to the Auto shooting mode, irrespective of the
Mode Dial's position, and the distance at which photos can
be captured is limited. (See the Image Quality section
for more information).
The DSC-H9 is equipped with
an automatically released pop-up flash, which, when the sensitivity
is set to Auto, can cover up to 9.8 m (32 ft) when the zoom
is at the wide angle end, and 6 m (19 ft) at the telephoto
end.
If needed, the flash can be manually opened simply by lifting
it.
While the DSC-H9's ergonomics
are generally well conceived, it does suffer from one important
weakness. The space allocated to the controls on the right
side of the monitor is insufficient and makes the use of the
wheel dial and the 4-direction control difficult. Similarly,
the small button at the centre of the 4-direction control
is too small and difficult to press, as are the directional
controls to which functions are assigned.
The LCD screen is sharp, but just like the lower resolution
EVF, it is prone to streaking when there is a lot of light
— such as the light coming from a window when the camera
is indoors. Moreover, the power requirements seem high, and
the small battery of the H9 only offers a limited autonomy.
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