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Sony DSC-W200

Reviewed September 2007

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion

The fact that Sony is able to pack a 12.1 megapixel CCD into the DSC-W200, a camera smaller than the proverbial pack of cigarettes, is all the more remarkable as the camera also includes a stabilized 3X optical zoom and a 2.5 inch LCD monitor.

The Sony DSC-W200 is completely clad in metal with a brushed finish on the front, and a pearl finish everywhere else. As is the case with most of Sony's Cyber-shot cameras, the W200 has a precise fit and finish that not only makes it look expensive, but solid as well.

power switch with to its right, the microphone — the speaker is underneath the camera. When the W200 is On, a small green LED lights at the centre of the power switch.

On the right is the shutter release, a two-stage system that provides auto focus and auto exposure when pressed to the halfway point, and then image capture when pressed fully.

The DSC-W200 offers an optical monitor, its exit pupil being well-placed on the far left side of the camera's back, minimizing the inevitable parallax error. Two LEDs, on the right of the viewfinder's exit pupil, serve to indicate flash charging and AF, either locked or impossible.

Below is the 2.5 inch (6.2 cm) LCD monitor, composed of 115,200 pixels — the optical viewfinder is a true bonus when the ambient light is too bright to make the LCD screen useful — which, regrettably, is only of average resolution.

The other external controls of the W200 are all on the right side of the monitor.

At the top is the zoom control, a rocker switch that moves the lens to the wide angle end when pressed on the left, and the telephoto end when pressed on the right, over a range of 8 steps. As usual, the control also allows zooming in () and out () of an image under review when the camera is set to the Playback mode (a maximum magnification of 5X is possible) and when pressed to the side to review captured images as an index, with either 6 or 12 thumbnails visible at once on the screen.

Directly below is the Playback mode button, which can be used to turn the camera On directly in the playback mode if it is held pressed for more than 2 seconds, and switch it to the capture mode if it is pressed again while the camera is in Playback. To its right is the Mode dial, which, when it is turned and the LCD monitor is active, is replicated on the right edge of the screen by a virtual dial that rotates simultaneously with the real one, and which provides a short text explanation of the selected mode's use:

Auto mode lets the DSC-W200 take care of all photographic settings. The user can select the image size, face detection, the flash mode and whether red-eye reduction is used, exposure compensation, the macro mode, and the burst modes.
Program mode allows the user to select all shooting parameters — exposure compensation, exposure bracketing, white balance, metering pattern, sensitivity, etc. — while the camera selects the aperture and shutter speed.
Manual mode offers complete control over all camera settings, offering an aperture range of f2.8, f5.6 and f8.0 at the wide angle end and f5.5, f11 or f16 at the telephoto end, while shutter speeds can be set from 1/1000 second down to 30 seconds.

Movie allows capturing video with sound at any one of three formats:

  • 640 Fine: a format that is only available when a Memory Stick Pro Duo is used, it captures a frame size of 640 x 480 pixels at 30 frames per second.
  • 640 Standard: also captures a frame size of 640 x 480 pixels at 16 frames per second.
  • 320: captures a frame size of 320 x 240 pixels, also at 8 frames per second, making the format useable with e-mail.
During the recording, the zoom is locked at the first frame, but exposure and white balance are adjusted as needed.

The SCN position is the access to some useful, but not commonly used Scene modes:

Extra High Sensitivity allows the camera to increase sensitivity up to a maximum of 6400 ISO, to capture an image in very low light without flash.
Beach automatically sets the sensitivity (from 100 to 800 ISO maximum) and boosts blue saturation.
Snow also allows sensitivity to be automatically set as required from a range that covers from 100 to 800 ISO, and increases the exposure sufficiently to overcome the effect of snow on the metering so the camera captures snow as bright white.
Fireworks requires the use of a tripod as the shutter speed is set to 2 seconds and and it has a maximum sensitivity of 125 ISO.
Landscape provides a shutter speed range of 1/2000 to 1/8 second. The flash can be set to Forced On or Forced Off and the sensitivity is automatically adjusted by the camera in a range that covers from 100 to 800 ISO.
Twilight mode offers a maximum exposure time of 2 seconds. The flash is forced Off and sensitivity ranges from 100 up to 125 ISO. Noise reduction is automatically applied to the image.
Twilight Portrait also offers a maximum exposure time of 2 seconds, and has a sensitivity range that goes up to 250 ISO so as to increase the range of the flash, which operates in Slow Sync mode. Red-eye reduction is available, but has to be enabled in the menu.
Soft Snap mode is designed to capture portraits while softening the background behind the subject. Sensitivity is automatically set between 100 and 800 ISO.
High Sensitivity allows the camera to set the sensitivity from 100 through 3200 ISO so the shutter speed can be maximized.

Three other controls are positioned below the mode dial. First, the MENU button calls up the Menu associated with the current mode. Below, the HOME button displays the "Home" screen which serves to access all the settings of the camera. As has been the case with current Sony digital cameras, the menu system is now confusingly divided into the Shooting and Playback menus, which are displayed — depending on the camera mode — when the MENU button is pressed, and the Home menu, displayed when the HOME button is pressed, which also contains the aforementioned menus, but also serves to access other parts of the menu, such as the setup options.

Ergonomically, this is a poor design that replaces a system that was better. For more details on the menu system of the DSC-W200, see the Characteristics and the Interface and Software sections of this review.

The last external control of the W200 is its 4-direction navigation control with, at its centre, a small round button that serves to confirm menu selections.

DISP

The up arrow of the control serves to choose the level of information superimposed on the monitor, both in the capture modes and in Playback:

 

Capture: pressing the button cycles between a display that shows basic camera settings, one that adds a real-time histogram, a display with the minimum level of information, and finally turns off the monitor.

Playback: the camera cycles through similar displays, a basic display with some information on the image under review, followed by a more detailed display that shows aperture and shutter speed, as well as sensitivity. The last display is free of any superimposed information.

The right arrow controls the Flash modes: Auto, Forced On, Slow Synch or Forced Off. Red-eye Reduction is available, but must be enabled in the menu.
The down arrow starts the Self-Timer, which provides first a 10-second delay, then if pressed again a 2-second delay before the shutter is released. The Self-Timer must be re-selected after each photo.
The left arrow selects the Macro mode, which allows the camera to focus on a subject that is 5 cm (1.95 inches) from the front element of the lens when it is at the wide angle end, and 34 cm (13.5 inches) at the telephoto end.

The DSC-W200 is an elegant, well-crafted camera that responds quickly to its controls. It does, however, have some shutter lag as its auto focus is not extremely fast. Still, the W200 is a great travel companion — this one spent three weeks traveling throughout France — and its 12 megapixel resolution, combined with a very effective stabilization system make it well-suited to many subjects and admittedly, lighter and easier to carry than an SLR.

Compare Prices for
SONY Cyber-shot DSC-W200 Digital Camera
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TechForLessin stock$141.50
Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion




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