The DSC-W200 is Sony's first
12-megapixel ultra compact camera, and a prime example that
the "megapixel race" continues unabated.
Uncompressed, the 12.1 megapixel CCD of the W200 would produce
image file sizes of 34.3 MB. Therefore, not surprisingly,
all images captured by the DSC-W200 are stored exclusively
in JPEG format and, in addition, the camera is compatible
with Memory Stick Duo memory cards with capacities as great
as 8 GB.
As with other recent models, the
W200 offers no compression level choice to the user. The level
of compression applied to each image is determined by the camera's
algorithms, the strength of the compression varying according
to the colour complexity of the image, in conjunction with other,
less obvious, criteria.
The result of the process
is that while the minimum compression ratio the W200 applies
appears to be in the 9:1 range, some images will be considerably
more compressed than others. Indeed, in the case of the image
shown at left, the compression is a whopping 30.8 to 1, while
a nearly identical shot captured seconds before is only compressed
at a ratio of 12:1.
If often the lack of a compression choice is not a noticeable
detriment to the image quality, it can, occasionally, limit
the image quality the W200 yields as compression artefacts
become visible when the image is seen at 100 % scale.
Yet, one of the advantages touted
for very high resolution sensor such as the 12.1 megapixel
CCD of the W200 is that if needed, images can be cropped and
still retain enough image data to allow the printing of an
excellent image, even at a large size. However, if that data
is reduced enormously by the compression process, the true
value of such a large resolution becomes, in our opinion,
questionable.
Three metering modes are available on the DSC-W200. The
default pattern is a multi-area pattern that takes into account
a number of areas in the frame to determine exposure parameters.
Given good outdoor light, the Multi metering yields well-exposed
images. With harsher light, the metering tends to give preference
to very brightly lit areas of the frame, occasionally creating
some deep shadows. Then, it is advisable to switch to the
centre-weighted pattern as it ensures that the focus point
will receive preferential treatment.
One of the most valuable features
of the DSC-W200 is that it is equipped with Sony's SteadyShot
image stabilization system. Although the Carl Zeiss lens is
only a 3X zoom, the stabilization allows capturing crisp images
at the lowest ISO setting using shutter speeds as low as 1/15
second, and even 1/8 second.
The Carl Zeiss lens of the
W200 appears to be at its sharpest from the middle point of
its range to the maximum telephoto setting. We noted that
shots captured at the wide angle end tended to be somewhat
softer than others, particularly when the camera selects the
widest aperture.
Similarly, at the wide angle end, a slight chromatic aberration
can sometimes be detected. It is, however, quite light and
does not normally interfere with the overall image quality.
The DSC-W200 is capable of capturing
images at up to 6400 ISO when the Extra High ISO Scene mode
is selected. At 6400 ISO, however, the image is more like
a watercolour than a photograph, and from 800 through 3200
ISO level, sensitivities that are user selectable when the
camera is set to Program or Manual mode, the watercolour effect
is similar albeit to a greater or lesser extend depending
on the sensitivity used. Worth noting, nevertheless, if the
image size is reduced to a size such as 4 x 6 (10 x 15 cm)
the printed image is often quite acceptable right up to 1600
ISO.
The DSC-W200 yields its best
images when the sensitivity is kept as low as possible. Still,
the image quality remains acceptable at the full 12 megapixel
size up to the 400 ISO level at which point noise starts to
become noticeable.
Equipped with a very small flash, at its lowest sensitivity
setting of 100 ISO the W200 can only provide fill light, and
can only light a nearby subject. Set to Auto ISO, the camera
boosts the sensitivity to 400 ISO, and produces visibly brighter
images. Noise, however, is detectable and when combined with
the compression, the backgrounds of flash photos can sometimes
take on the slight watercolour look of high ISO images.
Another positive feature of the
DSC-W200 is that in addition to its 2.5-inch LCD monitor,
an optical viewfinder — placed very near the lens so
as to reduce parallax — is also available. Optical viewfinders
are too often omitted from very compact cameras such as this
one, but yet are a serious advantage to the user as there
are times, such as when the battery is running low or when
the sun is too bright to allow a clear view of the LCD, that
the optical viewfinder makes it possible to capture images
that would otherwise be impossible.
Like many other cameras, the
DSC-W200 has both strengths and weaknesses. Its strengths
are a good lens; an effective stabilization system; a very
well-crafted and very compact size, a huge image resolution
and an optical viewfinder.
Its weaknesses are a compression that aims to minimize file
size instead of maximizing image quality; a weak flash and
relatively visible noise from 400 ISO onwards.
Clearly, as is often the case, nothing is perfect.
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