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Sony DSC-W50

Reviewed April 2006

Introduction

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion

The Sony DSC-W50 belongs in that group of very compact cameras that are no bigger than a deck of cards. This particular model offers a 6-megapixel resolution, a Carl Zeiss 3X optical zoom, and a generous 2.5-inch monitor.

Controls are organized classically on the top right side of the camera: on the left is the power button, which is ringed by an indicator light that glows green when the camera is on.

On the right is the two-stage shutter release that locks the auto focus and auto exposure when pressed to the halfway point, and which is ringed by the zoom control.

With the DSC-W50 in the Playback mode, the zoom control serves to review images in index screens with 9 thumbnails per screen when pressed to the W side, or zoom into part of an image under review up to 5X when pulled towards the T side.

Although it features a 2.5-inch LCD monitor composed of 115,200 pixels, the DSC-W50 is also equipped with an optical viewfinder.

The viewfinder is very basic and positioned at the centre top of the camera, which is not overly practical since that leaves little room for one's nose. Nevertheless, the viewfinder still offers the advantages of both conserving the battery power, and replacing the monitor when it is difficult to see. To its left are two LEDs that serve to indicate auto focus, or flash charging, or that the camera is accessing the memory, both of which are easy to see from the corner of the eye when using the viewfinder.

Further along to the right, near the corner of the monitor, the button serves to start the Playback mode when the camera is in a capture mode.

In addition, when the camera is turned off, the button can be used to turn the camera on directly in the Playback mode without the lens being deployed. Pressed a second time, it starts the capture mode. Worth noting, the power button on top of the camera is required to turn it off.

The upper right of the back is occupied by the Mode Dial. When the camera is on and the dial is turned, an animated dial appears superimposed on the image, on the right side of the monitor. The animation reproduces the movements of the mode dial, and displays a short description of the mode (the description can be turned off in the menu). The dial has 10 positions, each corresponding to a capture mode:

The Auto Adjustment mode leaves the camera in charge of selecting both aperture and shutter speed and all other parameters, leaving only the selection of the image size to the user.
Program Auto mode also lets the camera select the aperture and shutter speed, but leaves all other photographic parameters such as white balance, exposure compensation, and sensitivity setting to the discretion of the user.
High Sensitivity allows the camera to boost the CCD sensitivity up to 1000 ISO if necessary so that as fast a shutter speed as possible can be used. In effect, this mode is equivalent to the Sport mode found on other models.
Twilight allows a maximum exposure time of up to 2 seconds. The flash is forced off, and sensitivity is locked at 80 ISO. Noise reduction is automatically applied to the image after capture.
Twilight Portrait also allows an exposure time of as long as 2 seconds, but increases sensitivity up to 160 ISO while setting the flash to Slow Synch. If desired, Red-eye Reduction can be activated in the Setup menu.
Snow automatically applies exposure compensation to counteract the brightness and reflectivity of snow on the metering. The sensitivity is automatically adjusted over a range of 80 to 320 ISO.
Beach limits the flash modes to Forced On or Forced Off, and shutter speeds to a range that is faster than 1/8 second. Sensitivities can range from 80 to 320 ISO and the camera increases blue saturation slightly.
Landscape offers a shutter speed range of 1/8 second to 1/2000 second and allows the flash to operate as Forced On, or be Forced Off. Sensitivity is automatically controlled and can range from 80 to 320 ISO.
Soft Snap is a soft portrait mode that softens sharpness while accentuating skin tones. Sensitivity is automatically controlled between 80 and 320 ISO.

Movie allows the DSC-W50 to capture clips with sound at any one of three image sizes:

  • 640 Fine: 640 x 480 pixels at 25 frames per second with low compression. This format is only available when a Memory Stick Pro Duo is used.
  • 640 Standard: 640 x 480 pixels at 25 frames per second, using a stronger compression.
  • 160: 160 x 112 pixels at 25 frames per second.
During the recording, the zoom is locked at the first frame but exposure and white balance are adjusted as the recording progresses.
Two other buttons are arranged below the Mode Dial. The upper one, DISPLAY, serves to turn on or off the monitor, and to control the information that is superimposed on it, while the lower button, MENU, serves to bring up the menu that corresponds to the current camera mode on the monitor. (See the Characteristics and the Interface and Software sections of this review for details about the contents of the DSC-W50's menus.)

In the capture modes, the DSC-W50 presents some basic information about camera settings, superimposed on the image: battery state, capture mode, image size and quality, the folder name into which images are being saved, the remaining number of shots that can be captured, a graphic showing the remaining capacity of the memory card, the AF zone, and the AF mode.

 

Pressing the Display button once adds a real-time histogram to the existing information, illustrating the distribution of brightness in the current scene. Pressing the button a second time frees the display of all superimposed information with the exception of the AF zone, the AF mode, and the focus point. Pressing the button once more turns off the monitor.

And, when the shutter release is pressed halfway, irrespective of the current display mode, the selected shutter speed and aperture appear on the lower right of the monitor.

 

When the DSC-W50 is set to the Playback mode, the default presentation of an image on the monitor overlays a graphic indicating the battery charge, the image size of the image under review, the folder in which it is located, the position of the image within those contained in the folder, a graphic showing the remaining capacity of the memory card, and the time and date at which the image was captured.

 

Pressing the button once adds additional information: exposure compensation if any, ISO setting, flash mode, white balance, shutter speed and aperture and a histogram. Pressing the button a second time removes all the information that was superimposed on the image.

Next down is the 4-direction controller which surrounds a small round button that serves to confirm menu selections. The 4-direction control not only serves to navigate the menus and move from one image to another in playback, it also controls four specific functions when the camera is set to a capture mode, each of these identified by an icon etched into the control:

The up arrow serves to select the Flash modes: Auto, Forced On, Slow Synch, and Forced Off. The red-eye reduction mode is selected in the Setup menu, and once active is available in all the active flash modes.
The right arrow starts the Macro mode, which allows the camera to focus on a subject that is at a minimum distance of 2 cm (0.8 in.) when the zoom is set to the wide angle and 30 cm (1 ft.) when the zoom is at the maximum telephoto setting.
The down arrow controls the Self-Timer, which provides a delay of 10 seconds between the time the shutter release has been pressed and the photo is captured.
The left arrow serves to adjust the Exposure Compensation, offering a compensation range of ±2 EV in 1/3 EV increments.

The last external control is an elongated button below the 4-direction control, and it too has a dual function:

With the DSC-W50 set to a capture mode, the button serves to select the resolution. (See the Characteristics section of the review for more information.)

With the DSC-W50 set to the Playback mode the button serves to delete unwanted images.

Compact and built with a solid metallic exterior, the DSC-W50 is easily carried, and rugged enough to travel. Its controls are well-designed and ergonomically placed, so their location and function become familiar quite quickly. Yet, two items could have been better: the Mode Dial is easily turned when the camera is slid into a pouch, requiring that its position be checked when withdrawn from a carry pouch; and the viewfinder is placed too close to the centre of the camera’s top, making its use somewhat awkward.

Introduction
Ergonomics
Characteristics
Image Quality
Interface & Software
Camera Views
Test Photos
Specifications
Our Opinion





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